Posts Tagged ‘hush’

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Movie Reviews: Once Upon a Time… in Hollywood, Scary Stories to Tell in the Dark, The Farewell

August 14, 2019

Scary Stories to Tell in the Dark (2019) – I’m shocked at the critical reaction to this one: it’s sitting at 81% on Rotten Tomatoes right now. I thought it was extremely dull. I read and enjoyed the book this film is adapted from when I was in elementary school, but I didn’t experience much nostalgia while watching the movie because I only remembered one of the stories (“The Red Spot”). None of the characters or actors were particularly interesting and I didn’t find the movie even slightly scary. The overall narrative put together to connect the stories was fine, but I didn’t feel any emotional connection to anything happening on screen. I was mostly bored watching this and was looking forward to it being over. For comparison’s sake, I gave Crawl a 5/10 a few weeks ago, but that film was substantially more enjoyable than Scary Movies.

4/10 (Forgettable)

Once Upon a Time… in Hollywood (2019) – I’ve seen people say they hated it and I’ve seen critics call it Quentin Tarantino’s masterpiece. I don’t really get either reaction. Usually I am giddy watching QT’s films and find them overwhelmingly enjoyable, but similarly to The Hateful Eight, this one didn’t fill me with pure joy either. I was actually pretty confused about my feelings on the movie the whole time I was watching it and even hours after seeing it, I still wasn’t sure. I know it’s not one of my favorite Tarantino flicks, but I also know I didn’t dislike it because… there’s so many good things happening on screen. Leonardo DiCaprio and Brad Pitt are amazing in it. The set pieces and art direction are meticulously put together and bring late 1960s Hollywood to vivid life. It’s plenty funny. On the other hand, the multiple plots seem to meander along without any real meaning before uniting in a strange and nonsensical climax. I enjoyed it, but I didn’t love it. Still, I’d be happy to watch it again… like right now. I feel like that speaks to the film’s potential to grow on me over time.

6/10 (Recommended)

The Farewell (2019) – Since most people will probably be unfamiliar with The Farewell, let me tell you a bit about the story: rapper/actor Awkwafina stars as a Chinese girl named Billi living in America that learns her grandmother is terminally ill and her family is planning a faux wedding for a cousin in order to go back to China and say goodbye one last time. Billi is being left behind because she is highly emotional and the family is worried she will tell the grandma that she is dying. Obviously, Billi ends up going to China anyway. I mean… this is great stuff. It’s one of the more personal films I’ve seen this year and the emotional impact is pretty high. I thought Awkwafina was a ton of fun in Crazy Rich Asians last year, but she proves she’s capable of being more than comedic relief by carrying this film on her shoulders and taking on a serious role. I’ve listened to her music and, well, she is waaaaaaaaaaaay better at acting. This is a touching film with plenty of charm and humor in it. There was a bit of a quirky Wes Anderson vibe to it and some of the slow motion shots of the family walking together as a group seemed out of place, but overall The Farewell is one of the most enjoyable movies I’ve seen this year.

7/10 (Highly Enjoyable)

Batman: Hush (2019) – It seems hard to mess up one of Batman’s best graphic novels, but DC Animation continues to do just that. This is better than the abysmal adaptation of The Killing Joke, but the writers take some interesting and questionable liberties with the story here and the end result is incredibly unsatisfying. I’m honestly not sure what they were thinking. Is it so hard to just do a faithful adaptation and not try to put a personal stamp on a well known story? I guess the main objective was to take a story that was written in the early 2000s and make it part of DC Animation’s current continuity of films, so this film takes place after the events of Son of Batman and Batman vs. Robin, even though the character of Damian Wayne wasn’t created until 2006 and thus didn’t exist in the original Hush graphic novel. The coolest thing about Hush was always that it involved so many key players in Batman lore and they all show up here and that’s a lot of fun. I’ve always thought Rainn Wilson (Dwight Schrute) is an odd choice to voice Lex Luthor and that continues to feel weird here. This movie was enjoyable, but I hate the big changes they made to the core story. HATE THEM. DC has announced they are making a movie out of my favorite Batman story: The Long Halloween. Here’s to hoping they don’t mess that up too.

5/10 (Decent)

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The Love Witch (2016), Hush (2016), Little Evil (2017)

September 11, 2017

The Love Witch (2016) – Curse the Best Movies of 2016 list that I saw this film on! But it’s hard to blame one list – The Love Witch sits at 96% on Rotten Tomatoes. This is one movie the critics and I did not agree on… not even a little bit. When the critics love a movie I could barely sit through, it makes me wonder what they were seeing that I didn’t. The Love Witch has gotten praise for its 1970s retro look and if there’s anything to like about this film it’s certainly the visual presentation. But I couldn’t get into the story at all and while Samantha Robinson gives a sultry performance in the lead role, she delivers all her dialog in a cadence that borders on parody and if this film is supposed to be a parody of something, I have to say it went over my head or I wasn’t paying close enough attention. I admittedly tuned out pretty early in the film and I almost quit it, so I have to admit this might not be the most fair review, but if a movie doesn’t grab my attention at all in the first 45 minutes, how good can it possibly be? The Love Witch is unrated and while it has a fair amount of nudity and sexual content, it’s not that sexy. This movie didn’t work for me as a parody, a comedy, or a horror film. It obviously has an audience, but I hated it and I doubt many of the people that read my reviews would like it either.

Replay Value: I’ve read reviews that say repeated viewings are worthwhile but that’s a hard pass for me.
Sequel Potential: The Love Witch grossed less than $300K so I’m going with none.
Oscar Potential: None

Grade: 3/10 (Skip It)

Hush (2016) – This was a solid horror thriller about a deaf woman living by herself in the woods and fighting for her life when a Jabbawockee shows up outside her window and does a killer dance routine. Just kidding. Hush is serious horror and there is nothing funny about this movie. This is a killer reminiscent of Michael Myers in the original Halloween, before he couldn’t be killed and was just your standard psychopath that really enjoyed murdering people… with a mask on. We don’t know why this man shows up outside this window or what his motives are and, let’s be honest, there are plenty of killers like that in the real world. And that’s part of what makes Hush scary: the idea that someone can be lurking right outside your bedroom window isn’t all that farfetched. Making the main character deaf certainly raises the stakes and writer/director Mike Flanagan and writer/star Kate Siegel (a married couple in real life) come up with plenty of scenarios that bring Maddie’s handicap into play. Siegel gives such a convincing performance that I wondered if she is actually deaf (she is not). Hush is a scary and fun horror film that seems to be overlooked. If you’re a fan of the genre you should definitely check this movie out while it’s streaming on Netflix.

Replay Value: I’ll probably never see this again, but it was fun enough that I would enjoy it a second time.
Sequel Potential: Horror movies always have potential for sequels… but I would imagine this doesn’t get one.
Oscar Potential: None… but Kate Siegel got nominated for Best Actress in various genre award shows.

Grade: 6/10 (Recommended)

Little Evil (2017) – Here’s another review that isn’t going to be very fair. My wife started watching this Netflix exclusive that started streaming earlier this month on her own and I sort of picked it up about 30 minutes or so into it. The gist is Adam Scott marries Evangeline Lilly and becomes step daddy to her kid, a child that may or may not be the spawn of Satan. My wife thought I would like it, but it was pretty stupid and it’s not funny enough to make up for how corny it is. Adam Scott does a fine job, but Lilly’s performance is hokey and could have been done by any run-of-the-mill actress. The kid isn’t anything special either. I may have missed the answer to this question, but I was wondering how Scott’s character decides to marry this woman while having such an apprehensive relationship with her kid. Also, the film seems to resolve its primary conflict because it’s time for the movie to end and not because of any natural progression between stepdad and stepson. Little Evil is a moderately interesting concept with a subpar execution. This movie is something to have on in the background while you’re doing something else and little more.

Replay Value: None.
Sequel Potential: Definitely potential for a sequel but who is going to want it?
Oscar Potential: None.

Grade: 3/10 (Skip It)