Posts Tagged ‘movie reviews’

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Entourage (2015)

January 23, 2016

Starring: Adrian Grenier, Jeremy Piven, Kevin Connolly, Jerry Ferrara, Kevin Dillon
Director: Doug Ellin (“Entourage”)

Bottom Line: Once upon a time, “Entourage” was a good, but not great HBO show that gave viewers a possible glimpse into the every day lives and struggles of a rising Hollywood actor and his closest friends. It was fun and plenty charming and I definitely considered myself a fan… and then the magic just disappeared in the later seasons to the point where struggling through the last few in preparation for this movie was almost unbearable. I’m sorry “Entourage” fans, but the show jumped the shark several years before it went off the air. It’s not that it wasn’t good anymore, it was just bad.

Obviously my expectations for this movie were very low but somehow it was even less enjoyable than I thought it would be. Vincent Chase’s career arc hasn’t always been the most believable, but almost everything that happens in this movie is laughable. I guess Hollywood makes bad decisions all the time – this movie would be a good example – but I can’t imagine the character of Ari Gold letting Vince direct a movie, let alone one as important as Hyde is supposed to be. We’re talking about a barely average actor that appears to have next to no knowledge of actual filmmaking. What’s even more absurd is the clip of Hyde that Ari screens privately and later claims to be “amazing” – I can assure you the footage of Hyde shown in this movie is nothing short of terrible. I would never, ever watch that movie and I actually remember a time when the movies Vince does actually So by the time Vincent Chase’s debut directorial film is dominating the Golden Globes you can imagine that I checked out a long time ago.

There are endless amounts of celebrity cameos in this movie, and some of them are funny, but much like E’s relationship with Sloan or Ari’s unrelenting dedication to being a total asshole, it’s all just so tired. In fact, I’d wager to say that the only redeeming factor of “Entourage” that remains from its earliest seasons is the character of Vince’s brother, Johnny Drama. Kudos, to Kevin Dillon and the writers for doing something right.

The Entourage movie picks up where the last few, awful seasons ended. No one should be too surprised that this movie sucks and I wouldn’t even recommend it to fans of the show. If you, somehow, remained committed to enjoying the HBO show all the way to its close, then I guess this is worth checking out, but this is a total skip in my book. Bad, bad, bad.

Replay Value: It was bad enough the first time.
Sequel Potential: It’s certainly possible, but I think this movie was bad enough that this story might be put to bed.
Oscar Potential: LOL!

Grade: 3/10 (Just Skip It)

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Love & Mercy (2015)

January 15, 2016

Starring: Paul Dano, John Cusack, Elizabeth Banks, Paul Giamatti
Director: Bill Pohlad

Bottom Line: Love & Mercy is Bill Pohlad’s homage to Beach Boys great Brian Wilson in his directorial debut. While there are plenty of references to Beach Boys classics and scenes of Brian Wilson crafting some of the great songs that appeared on the all-time classic Pet Sounds, this movie has much more to do with Wilson’s battle with psychosis and schizophrenia – and a sketchy therapist played by Giamatti in a relationship I never really understood (maybe because I was falling in and out of sleep for a few stretches) – than it does with the group trying to craft a masterpiece in the midst of The Beatles dominating and pioneering the music scene in the 1960s. The focus on Wilson and the director’s attempt to mirror the songwriter’s mental illness with a dizzying array of stream of conscious cinematography make the film more difficult than enjoyable. Still, the almost always fantastic Paul Dano is great as a young Wilson, and while this musician biopic is no Straight Outta Compton, it should please fans of The Beach Boys just fine.

Replay Value: Not much.
Sequel Potential: N/A.
Oscar Potential: Paul Dano got some acting nominations in various awards shows, including a Golden Globe nom, but no Oscar nod.

Grade: 5.5/10 (Recommended/Worth A Watch)

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Me And Earl And The Dying Girl (2015)

January 15, 2016

Starring: Thomas Mann, RJ Cyler, Olivia Cooke, Nick Offerman, Connie Britton, Molly Shannon, Jon Bernthal
Director: Alfonso Gomez-Rejon (“American Horror Story,” “Glee”)

Bottom Line: This small movie about a boy that is forced to befriend a dying girl by his mother got quite a bit of buzz during the summer. While the story is touching and the acting from the young cast is pretty good, it’s also a tad bit boring. I have found it very difficult to write reviews of movies that left very little impression on me, so rather than waste a bunch of time thinking of ways to convey feelings I don’t even really have, I’ll just say Me And Earl And The Dying Girl is a moderately enjoyable film that probably isn’t as heartwarming as it was hoping to be.

Replay Value: One viewing is enough for me.
Sequel Potential: None.
Oscar Potential: None..

Grade: 4.5/10 (Watchable/Forgettable)

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Amy (2015)

December 22, 2015

Starring: a documentary about Amy Winehouse
Director: Asif Kapadia (Senna)

Bottom Line: It’s hard to believe that Amy Winehouse has been dead for nearly five years. It’s even harder to believe that her tremendous 2006 classic Back To Black, the first album that really helped me realize that I could fall in love with music that wasn’t hip-hop, came out almost ten years ago. In fact, with all the media attention focusing on her addiction and public meltdowns the last few years of her life, making her out to be a joke, I wouldn’t be surprised if more people remember her for being a total mess than for being one of the best songwriters and singers of the 21st century. Amy should help rectify that negative image and paint a clearer picture of what exactly pushed Winehouse to the edge.

Amy is filmmaker Asif Kapadia’s documentary about the rise and tragic death of British superstar Amy Winehouse. And it’s stunning. And absolutely brutal. Scary even. It’s like watching Requiem For A Dream – except real. Amy paints an honest and accurate portrayal – with the help of a plethora of home video featuring a pre-stardom Winehouse and tons of interviews with those closest to her – of how a happy-go-lucky, seemingly ordinary British teen with a great voice becomes arguably the greatest jazz singer of her generation and how the unwanted and enormous fame she rose to, the unrelenting paparazzi and attention she received everywhere she went, and, drug and alcohol addiction ultimately killed her.

Early in the documentary, long before Winehouse releases Back To Black, she predicts how she would react to fame: “I don’t think I could handle it. I would go mad.” It’s an unfortunately accurate prediction and it becomes clear that while Winehouse absolutely loved making and performing her music, she had absolutely no interest in the cultural responsibilities that came with it – and that’s a question that Amy effectively raises: musicians, athletes, actors, and other celebrities are often faulted for being poor role models, but is it one’s responsibility to be a good role model or a good ambassador simply for doing what they are passionate about? And should the media be allowed to make their lives hell every time they slip up or don’t welcome them with open arms? Like normal humans never make mistakes?

Of course, Amy’s path towards addiction goes a bit deeper than that. Back To Black was largely inspired by her relationship with Blake Fielder, her future husband and this film paints that relationship as anything but rosy. Winehouse seems plenty happy and totally in love, but to call Fielder an enabler would be putting it mildly. Someone in the film, a doctor, even goes as far as to say that Fielder treated Winehouse as a means to keep the free high going with little regard to the awful affects it was having on his wife. Regardless of whether any of this is truly accurate information, I can’t help but wonder how Amy Winehouse’s inner circle could ever let things get so bad. Her parents… her husband… her manager…? The rest of her team? No one saw this coming? No one cared enough rescue her from herself?

I knew Amy Winehouse was going to die. I just couldn’t see any way that it wasn’t going to happen. I don’t mean to say that with judgement or because the media was influencing my thoughts due to their portrayal of her. I knew it as a fellow alcoholic. I knew that if she didn’t figure things out and didn’t get help that stuck, she wasn’t long for this world. I knew, and still know, that I would die or be in jail if I didn’t give up alcohol. And perhaps it’s unfair to point fingers at the people around her – I could never get help unless I was forced to make a decision between jail or sobriety – but I don’t understand how anyone in her inner circle could be surprised that she’s gone today.

Amy is a tough film, but it’s an essential one. It manages to provide a condemning narrative without coming across as biased. Kapadia doesn’t inject his own opinion into the film much, but allows real footage and interviews to tell the story for him. Amy is a sad and tragic, difficult watch, but after you see it, you can put on Back To Black and remember that this wonderful musician has left her mark on this world forever.

Replay Value: Definitely won’t be something you want to watch over and over – and maybe once will be enough.
Sequel Potential: N/A
Oscar Potential: I like its chances for Best Documentary.

Grade: 8/10 (Excellent)

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Star Wars: The Force Awakens (2015)

December 21, 2015

Starring: Daisy Ridley, John Boyega, Oscar Isaac, Harrison Ford, Carrie Fisher, Adam Driver, Andy Serkis
Director: J.J. Abrams (Star Trek, Star Trek Into Darkness, Super 8)

Bottom Line: There were a lot of things going right with the development of Star Wars: The Force Awakens. We can all appreciate George Lucas for bringing the Star Wars franchise to the world, but after the bitter taste he left in our mouths with Episodes I-III, I can’t imagine that anyone was sad to hear he wasn’t going to be involved much with the making of Episode VII. Replace Lucas with proven sci-fi master J.J. Abrams, who recently reinvigorated the Star Trek franchise with great success, and the creative minds at Disney, and well, there was plenty to be excited about.

And The Force Awakens immediately feels familiar… and special. Before I even heard the names Finn or Rey, I already knew Episode VII was going to be eons better than the last three movies. It feels like a Star Wars movie – a good one; and yet, it is carried by an entirely new cast of characters.

It opens with Kylo Ren (Adam Driver as the new Darth Vader), field commander of the First Order (the new Empire) and a crew of storm troopers trying to find a map that leads to the location of a missing Luke Skywalker. Of course, the map is hidden in a droid (no, not R2D2) that is accompanied by a top pilot in the Resistance named Poe (Isaac), both of whom are captured by the First Order. However, during battle, one of the storm troopers, who we will come to know as Finn (Boyega), seems to become aware of his wrongdoing and decides to deflect, saving Poe and his droid and escaping before crashing on the planet Jakku, where Poe disappears and Finn meets Rey (Ridley), a scrappy scavenger with all the signs of a future Jedi. In Star Wars: The Force Awakens, it’s up to Rey and Finn to use the map to find Luke Skywalker, the last known Jedi, and avoid the clutches of Kylo Ren and the evil First Order.

At first glance, that plot might look eerily similar – and it should. The Force Awakens is certainly not breaking new ground in storytelling and considering this is the seventh installment in the series, it honestly makes me laugh any time I see someone legitimately criticize this movie for being unoriginal. What did you expect? It’s pretty clear that the writers decided to take the elements of the original series that worked, flip them around a bit, add a twist or two, add some new characters, sprinkle in some old ones, shake it up a bit, and hope they had the ingredients for another commercially (and this time critically) successful trilogy.

And I’ll be damned if the formula doesn’t work to perfection. Abrams and company manage to infuse The Force Awakens with plenty of call backs and cameos from the original trilogy without overdoing it, all while developing brand new players that will carry the story for the next decade. Both Ridley’s Rey and Driver’s Kylo Ren are worthy additions to the Star Wars legacy, but it’s Boyega’s Finn that is the true standout. As a former storm trooper, Finn’s arc is the only one that is truly unique in the movie and Boyega plays the part with wide-eyed giddiness. Already a potential breakout candidate with his awesome performance in 2011’s wonderful and criminally overlooked Attack The Block, Boyega is now officially a megastar. Having watched the original trilogy recently, I was also impressed with how seamless Harrison Ford’s performance as Han Solo feels considering it has been over thirty years since he played the part. That kind of nostalgia didn’t carry over into the latest Indiana Jones movie, so it’s a welcome feat here.

Not everyone in the cast is brilliant, however. Carrie Fisher’s General Leia Organa feels out of place and her portrayal is a bit jarring. I don’t know if time just hasn’t been kind to the actress or what, but she doesn’t feel or sound like how I would imagine Princess Leia 30 years later. Also, after seeing such brilliant performances from Oscar Isaac (Poe Dameron) and Domhnall Gleeson (General Hux) in Ex Machina earlier this year, it’s a bit disappointing to see how little screen time Isaac gets for what I thought would be a major character and how rigid and forced Gleeson’s First Order general feels.

Still, Star Wars: The Force Awakens was everything I could have hoped for. It feels like a movie George Lucas would have made in his prime with 2015’s film-making technology. The story lacks originality, sure, and while you might not be able to guess the plot twists exactly, they won’t really surprise you when they happen – and I can only assume more “big” revelations are coming (if Finn is an ordinary storm trooper that simply decided to switch sides, well, then I know nothing about anything). Regardless, the movie is entertaining and funny enough that we can be happy that we are getting more of what we already know we love: an awesome space adventure with great and memorable characters. We have a new core of potential Star Wars icons to root for and against and it will be interesting to see the rest of the trilogy play out. This is a superb blockbuster film and I can’t imagine how any Star Wars fan would feel anything less than glee while watching it. J.J. Abrams done did it again!

Replay Value: I actually want to see it in theaters again… preferably in IMAX 3D.
Sequel Potential: Episode VIII is due out in May 2017 and Episode IX comes out in 2019, plus we are getting Rogue One: A Star Wars Story in 2016, a Han Solo prequel in 2018, and possibly a Boba Fett movie in 2020.
Oscar Potential: This movie should get some technical attention: special effects, make-up, visual effects, costumes, sound editing, sound, etc. the real question is whether it can sneak into the Best Picture or Best Director categories…

Grade: 8/10 (Excellent)

MINOR SPOILER: My one real complaint with this movie was that about midway through, Han Solo and Chewbacca are encountered by some sort of bounty hunters played by Iko Uwais and Yayan Ruhian, amazing martial artists that are responsible for some of the best fight choreography I’ve ever seen (see: The Raid and The Raid 2) and yet, their roles could have been played by any other extra, as they have minimal dialogue before being whisked off screen while we get a monster chase sequence. Talk about a waste.

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Bridge Of Spies (2015)

December 7, 2015

Starring: Tom Hanks, Mark Rylance, Alan Alda
Director: Steven Spielberg

Bottom Line: Bridge Of Spies took me by surprise. With Steven Spielberg directing, the Coens Brothers writing, and Tom Hanks starring, I’m not sure how this movie snuck up on me, but it did. Maybe it’s because the only Spielberg movie I’ve seen in the past decade was Indiana Jones And The Kingdom Of The Crystal Skull and, well, I think we know how that disaster turned out. Now that’s not to say that Spielberg’s most recent films (War Horse, Lincoln) have been bad, but for whatever reason I just haven’t gotten around to watching them.

I’m happy to report that Bridge Of Spies, at least, is a return to form, as Spielberg takes us into Cold War espionage, with Hanks playing James B. Donovan, an American attorney charged with the unenviable task of representing a Soviet spy in court. Donovan is soon Public Enemy No. 1 when he takes his duties seriously and becomes enamored with the Soviet prisoner, making sure that the captured spy gets the due process that is the right of anyone in America.

I knew nothing of the plot before watching this movie and I was expecting an action flick, so I was pleasantly surprised when it turned out to be a riveting character drama. Hanks is great as Donovan and Mark Rylance made Soviet spy Rudolf Abel so affable it’s easy to see how Donovan’s commitment to his case went beyond a sense of duty and became a task he was proud to see all the way through.

I would recommend Bridge Of Spies to just about anyone. I felt that it had the perfect blend of drama and character building, but I could see how some people might find it slow. I thought it was well paced, sometimes intense, and all around entertaining.

Replay Value: Worth a second viewing.
Sequel Potential: None.
Oscar Potential: It’s early, but I could see this film getting some attention – perhaps in the Best Picture, Best Director, and Best Actor departments. I think Rylance has a good chance at a supporting nomination as well.

Grade: 7.5/10 (Recommended/Must See)

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Mockingjay Parts 1 & 2 (2014-2015)

November 29, 2015

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Donald Sutherland, Julianne Moore
Director: Francis Lawrence (Catching Fire, I Am Legend)

Bottom Line: Mockingjay, the finale of the film adaptation of Suzanne Collins’ The Hunger Games series, clocks in at a brutal 4 hours and 30 minutes – and it’s excruciating. I liked the first movie just fine and the second one I felt was okay, but this final film is 4.5 hours of not much at all. Katniss has escaped the Quarter Quell games and is now holed up with the rebel alliance, a group of people led by Julianne Moore’s President Coin looking for someone to rally behind as their poster child and Katniss Everdeen fits the bill perfectly. And that’s what Mockingjay part 1 is and very little else. It’s a total snooze fest. Part 2 might be worse. In that film, the rebels march towards the capital to take out President Snow, which seems like it might have a climactic end to it, but even Snow’s demise is a let down and so is the whole finale.

I love me some Jennifer Lawrence, but I’m grateful that her ties to this series are over. It’s just not that good. Katniss is a good character, but I’m not sure anyone else in this series is. I just hate to see Lawrence’s talent wasted on something so simple. I’ve never been a fan of the two main guy characters in this series. The Jacob-Edward love triangle is trite and takes away from Katniss’ real fight, which is with the Capitol. Honestly, how necessary to the plot is the character of Gale? How likable is Peeta? These characters only exist to provide side conflicts for the heroin. Mostly, Mockingjay was way too long and for a blockbuster popcorn flick, it seriously lacked action. This movie had two hours of material that could have hit the cutting room floor, but the new trend in Hollywood is to break the last book of a successful movie franchise into two parts. It was smart for Harry Potter, but it’s been utterly ridiculous for everyone else that has tried it.

I would only recommend either of the Mockingjay movies to someone that is already predisposed to liking them. Or maybe they won’t. My wife has been watching Harry Potter on repeat to wash the taste of this movie out of her mouth. If you like the concept of The Hunger Games, I’d recommend Koushun Takami’s novel Battle Royale or the Japanese film adaptation of his book; it’s way more interesting, violent, and action packed, with none of the silly love triangle filler.

Replay Value: No way I’d ever watch this last entry again.
Sequel Potential: Is it possible? The Hunger Games are a cash cow, so some sequel or spin off or remake will almost certainly surface some day.
Oscar Potential: Maybe some technical categories, but probably not.

Grade: 3.5/10 (Forgettable/Just Skip It)

SPOILER: How is Collins going to kill off Primrose after Katniss sacrifices her life for her and sets the whole series in motion? I can’t imagine how fans of the series would be happy with that ending.

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Straight Outta Compton (2015)

August 20, 2015

Starring: O’Shea Jackson, Jr., Corey Hawkins, Jason Mitchell, Paul Giamatti
Director: F. Gary Gray (Friday, Set It Off, The Negotiator, Law Abiding Citizen)

Bottom Line: I can still remember when my mom took my Dr. Dre The Chronic CD in disgust and hid it from me all the way back in 1993. I can also remember her driving me to Blockbuster Music to buy Snoop Doggy Dogg’s Doggystyle just a year or two later. Go figure. Regardless of how ambiguous my parents were about whether or not I should be listening to gangster rap music when I was just becoming a teenager, they made one thing abundantly clear: rap was crap and there was no way it would last. Well, it’s 25 years later and not only has hip-hop become one of the most financially lucrative genres of music in the entire industry, but we are getting Straight Outta Compton, a biopic detailing the rise and fall of the pioneering rap group N.W.A. – a movie that is generating early Oscar buzz from a group of voters that probably used to make my parents look like radicals.

I loved it. As a hip-hop aficionado, Straight Outta Compton felt like a gift from F. Gary Gray given specifically to me. It’s an epic picture that covers the formation of N.W.A., a group consisting of MC Ren, DJ Yella, Easy E, and two entertainers that are still superstars today, Dr. Dre and Ice Cube. From their humble beginnings coming from next to nothing in the ghetto of Compton, California, to their rise to the pinnacle of hip-hop while becoming public enemy #1, to the fragmentation of the group due to contract and payment disputes, to on record beefs with Ice Cube after he left the group, all the way up to Dre’s time with Death Row Records and Easy E’s tragic death due to HIV, Straight Outta Compton misses very little in the retelling of N.W.A.’s story.

Maybe it was because the Biggie Smalls biopic Notorious left such a bland taste in my mouth, but for whatever reason, I had little expectations for Straight Outta Compton up until I saw its first trailer and saw how authentic everything looked. The casting seemed solid and the idea of using Ice Cube’s son O’shea Jackson, Jr. seemed like a stroke of brilliance to me. Let’s just hope he can act! And boy can he. At least as his dad, which might not be the biggest stretch of his now promising career. He channeled Ice Cube so well and looked so much like his father, that it really feels like you’re watching a young Cube play himself in the film. It’s a remarkable performance. Jason Mitchell was stellar as Easy E and the rest of the supporting cast was solid as well. Corey Hawkins as Dr. Dre was the only actor in the main cast that I didn’t love. He wasn’t exactly a dead ringer for a young Dre and there were a couple moments in the film where I actually winced at some of his acting. All in all though, the cast really brought this story to life and I was impressed with how genuine it felt. There were plenty of intense scenes involving encounters with police, other rap figures, gangs, good ole Suge Knight, and, sometimes, each other. Perhaps the best sequence in the film is when Ice Cube embarks on his solo career and the group makes a subliminal remark about him, sparking him to respond with his classic “No Vaseline” – and then watching as the remaining N.W.A. members and their entourage react as they listen to it for the first time. It’s comedy gold.

Now, while I was super impressed with Straight Outta Compton it was hard not to notice some inconsistencies as someone that grew up during the late 80s and early 90s. First, in the great opening sequence of the film, Easy E is seen trying to evade police during a drug house raid in 1986 while wearing a Chicago White Sox hat with a logo the MLB team wouldn’t adopt until the early 90s. Also, there’s a scene at Death Row Records where Tupac is seen recording his record “Hail Mary” right before Dre plays him the beat to “California Love.” While this certainly could have happened, it seems unlikely considering that “Hail Mary” appeared on the Makaveli album after “California Love” was released on Tupac’s previous album All Eyes On Me. Also, I couldn’t help but feel that Dr. Dre’s executive producing credit had a direct affect on his portrayal in the film. For one, there was no mention of his assault of female rapper/television personality Dee Barnes. For two, it’s pretty common knowledge in the hip-hop world that Dr. Dre is a studio gangster – I’ve heard rumblings about how “soft” he is for years. Straight Outta Compton paints a pretty picture: Dre is seen throwing blows and getting buck on multiple occasions, including getting right up in the face of notoriously scary Suge Knight and telling him he’s leaving Death Row Records. It’s a scene I just can’t imagine ever happened. Suge Knight was, and remains, a completely psychopath, with an affinity for violence and no moral compass. There is no way he let Dr. Dre talk to him like that and walk away unharmed. It just didn’t happen. Finally, the film completely skips past the on record beef between Easy E and Dr. Dre, which seems like a pretty substantial part of the N.W.A. story.

Still, those are small nitpicks and they don’t bring down the quality of the film at all. Straight Outta Compton was a total thrill ride. As a huge rap fan growing up, this movie was like eye and ear candy to me. There are tons of references to songwriting and performances of classic N.W.A., Ice Cube, and Dr. Dre songs. I enjoyed almost every minute of it’s absurdly long (yet seemingly too short) running time. It’s an absolute must see for hip-hop fans, but I also think it has a broader appeal since it’s such a great movie. In fact, I think I’ll be going out of my way to recommend it to my mom and dad, and you know what, they’re going to love it.

Replay Value: It’s a must own for me.
Sequel Potential: None. (Edit: Apparently I spoke to soon. While there probably won’t be a direct sequel, the success of this film already has the industry rumbling about a biopic detailing the rise of Snoop Dogg, Warren G, Nate Dogg, and the Dogg Pound.)
Oscar Potential: This is where it gets interesting. My initial feeling after watching Straight Outta Compton was that it was my favorite movie of the year so far. Then I started wondering if other people, like potential voters, might feel the same way, and early reviews and buzz has this movie receiving some consideration. I think the actors playing Ice Cube and Easy E could be seen as long shots for acting noms, and the movie itself should have at least an outside chance at a Best Picture nomination… of course, with those kinds of possibilities, also comes possible nominations for directing, cinematography, writing, and various other technical aspects. It will be curious to see how things develop as, right now, Straight Outta Compton doesn’t have a lot of stiff competition just yet.

Grade: 8/10 (Excellent)

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The Gift (2015)

August 10, 2015

Starring: Jason Bateman, Rebecca Hall, Joel Edgerton
Director: Joel Edgerton

Bottom Line: The Gift is a surprisingly solid thriller from first time writer/director (and co-star) Joel Edgerton. Jason Bateman and Rebecca Hall play a seemingly normal and happy couple buying a new home in his old home town only to have things turned upside down when an odd man from the husband’s past (Edgerton) shows up with an unhealthy fascination with getting involved in their lives. It’s a pretty simple plot that is unraveled masterfully by Edgerton in his feature film directorial debut. The Gift is the ultimate slow burn – at times it can feel like the pacing is snail-speed, but it’s all worth it, as there’s an undeniable tension throughout the film, even during scenes of what seems like banal dialogue. For a movie with very few obligatory scare moments – there is one scene that made the entire theater jump in terror and then laugh at how silly we all are – The Gift is patently chilling.

It’s refreshing to see Jason Bateman play against type in The Gift. While he provides some moments to chuckle at, his character is no comedian and his dramatic, sometimes mean, performance is pretty impressive. Even though Bateman gets top billing, Rebecca Hall is quite obviously the film’s star and her performance is top notch. She shifts gears with ease and displays a wide range of emotions throughout the film; this is a fully realized character with an acting job to match. Joel Edgerton is wonderfully mysterious and creepy as the old schoolmate, but his work off the screen as writer and director is what he should really be praised for.

I thought The Gift was going to be in the horror genre, but it’s clearly in suspense/thriller territory. Though my expectations were dramatically raised by strong reviews by the time I watched it, The Gift is a very pleasant surprise for 2015. Several months ago, I would have never guessed I’d even want to see this movie. It’s certainly worth the overwhelmingly positive praise it’s been receiving and gets a strong recommendation from me.

Replay Value: I would watch it again because it was good, but a lot of the film’s strength is based on the suspense of not know what’s going to happen.
Sequel Potential: There is some remote chance of a sequel, but I think it would be a bad play.
Oscar Potential: Rebecca Hall gives a strong performance, but it would surprise me to see this type of movie get awards attention.

Grade: 7/10 (Must See)

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Trainwreck (2015)

August 3, 2015

Starring: Amy Schumer, Bill Hader, Lebron James, Brie Larson
Director: Judd Apatow (Knocked Up, The 40 Year Old Virgin, Funny People)

Bottom Line: Trainwreck is comedian Amy Schumer’s first starring role and she quickly establishes that she can carry her own comedy. More impressive, she wrote the film herself and it’s plenty funny while providing an entertaining narrative. In the film, Amy plays a 20-something career girl that was taught by her father that a life of monogamy is unrealistic, so she spends her nights bar-hopping and bringing various men home only to send them on their way before they can even think about sleeping over. Through her job, she meets a sports surgeon played by Bill Hader and they develop a relationship unlike any she’s experienced before.

I have to say I was impressed with the cast in this movie. I wasn’t surprised at all that Amy Schumer was funny and likable even though her character had some rather despicable traits. I could tell by watching her stand up that she has plenty of charisma and that she could be a rising comedic star. Trainwreck proves this fact. It will be interesting to see if she can keep the ball rolling, as a lot of comic actors have a tendency to wear out their welcome rather quickly (does anyone still look forward to a Will Ferrell movie?). What did surprise me was Bill Hader, who really seemed to have only one gear during his Saturday Night Live tenure and I never was a big fan of his style on the show. He plays it rather straight in Trainwreck and it’s a nice change of pace. Hader actually has some acting ability – and he still managed to be pretty funny. What surprised me more than anything was how awesome Lebron James was in his role. Granted, most of the credit should go to Schumer for writing LBJ a great role, but Lebron hams it up wonderfully without being so tongue-in-cheek that he comes across corny. He crushed it and his appearances on screen were the best parts of the movie, which is unfortunate because he mostly disappears during the second half.

Like most Judd Apatow movies, Trainwreck runs unnecessarily long, which makes it feel like it’s dragging at times, but Trainwreck is his strongest film since 2007’s Knocked Up. It provides just enough humor and drama to give the audience a genuine investment in the film’s story. Trainwreck is a solid step in the right direction for Apatow and a coming out party for Schumer and Hader. I’m looking forward to what everyone involved has in store for the future.

Replay Value: I will watch it again, for sure.
Sequel Potential: No spin offs for bit characters please.
Oscar Potential: I was impressed with Bill Hader but this isn’t the kind of movie that the academy will think about or remember.

Grade: 6.5/10 (Recommended/Must See)