Posts Tagged ‘dr. dre’

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Dr. Dre – The Chronic (1992)

August 15, 2020

Dr. Dre – The Chronic (1992, Rap)

Release Date: December 15th, 1992

Song Rating Scale

1. The Chronic (Intro) ft. Snoop Doggy Dogg – N/A
2. Fuck with Dre Day (Everybody’s Celebratin’) ft. Snoop Doggy Dogg & RBX – 4.5
3. Let Me Ride ft. Snoop Doggy Dogg & Jewel – 5
4. The Day The N****z Took Over ft. Snoop Doggy Dogg, Daz Dillinger, & RBX – 4
5. Nuthin’ But A G Thang ft. Snoop Doggy Dogg – 5
6. Deez Nuuuts ft. Snoop Doggy Dogg, Warren G, Daz Dillinger, & Nate Dogg – 4
7. Lil’ Ghetto Boy ft. Snoop Doggy Dogg & Daz Dillinger – 4.5

8. A N***a Witta Gun – 3
9. Rat-Tat-Tat-Tat ft. RBX & Snoop Doggy Dogg – 3
10. The $20 Sack Pyramid – N/A
11. Lyrical Gangbang ft. Lady of Rage, Kurupt, & RBX – 3
12. High Powered ft. RBX – 3.5
13. The Doctor’s Office – N/A
14. Stranded on Death Row ft. Kurupt, RBX, Lady of Rage, & Snoop Doggy Dogg – 4
15. The Roach (The Chronic Outro) – N/A
16. Bitches Ain’t Shit ft. Snoop Doggy Dogg, Daz Dillinger, Kurupt, & Jewell – 4

Spin Rate: 100+? I dunno. Heaps.
Average Song Rating: 3.96/5 (highest ever, as of August 2020)
3.5+ Percentage: 75%
Cuts: 0
Bangers: 8

Thoughts: I bumped this widely accepted classic to the top of my review list because when I think about my all-time favorite rap albums, The Chronic usually doesn’t come to mind like it does for a lot of other rap fans. If you would’ve asked me a week ago why that is, I probably couldn’t have accurately answered. There are just numerous albums I know that I like more. Don’t get me wrong: The Chronic is clearly a great and revolutionary album with plenty of iconic tracks on it. I’m just not sure it’s a certified masterpiece and I was curious to see if it might be a little overrated.

As I listened to this again, and it started off with banger after banger and multiple legitimately great songs, I thought I was probably mistaken. But I don’t know how anyone can pretend like the middle of this album is elite. I had to listen to “N***a Witta Gun” three times before I bumped it from a 2.5 to a 3. It’s not a good song, but I think the hook is catchy (albeit kind of annoying) and the beat is nice enough that I’m giving it a pass. “Rat-Tat-Tat-Tat” and “Lyrical Gangbang” are in a similar boat, even with the latter’s loaded feature list. I can’t be the only one that wishes we could have heard a song with the melody that was playing at the start of “Rat-Tat-Tat-Tat”. That shit sounds so smooth. “High Powered” is a good song even though it’s short and only features a verse from RBX, but it does make for a fourth straight song that is notably below the level of the rest of the album. I think this stretch of songs is why I haven’t considered this album the no-doubt masterpiece that a lot of rap fans do. Classic? Yeah, definitely. But perfect this album is not.

The rest of this album is absurdly good though. “Nuthin’ But A G Thang” is one of the best rap songs ever… not much else needs to said about that. I was hesitant to give “Let Me Ride” a 5 because the rapping isn’t exactly elite, but the production and hook are so next level that I had to cough it up. “Deez Nuuuts” is probably the forgotten banger on this album. The beat is soooooooo sick and Nate Dogg’s closing vocals are pristine. One of the most common and obvious trends on this album is that Snoop Dogg absolutely kills it. Dude sounds like a superstar in the making. I can’t wait to hear his solo album!

Dr. Dre has never been an elite rapper and upon revisiting this album, I was kind of surprised how many songs he doesn’t even have a verse on. But Dre can definitely hold his own on the mic and The Chronic has tons of classic tracks on it. The intro, outro, and skits make up 25% of the tracklist, but with the exception of “The Doctor’s Office” they are all pretty dope. I do think the middle sequence weakens the album a bit and prevents it from being a true masterpiece, but The Chronic is still an amazing album and definitely changed how hip-hop would sound forever. The best songs are so good and the production is so revolutionary that I wouldn’t fault anyone for saying this is a perfect hip-hop album, but for me, it’s still a notch below my very favorite rap albums of all-time.

Verdict: 9/10 (Sensational)

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The Defiant Ones (2017) & Friends From College: Season 1 (2017)

August 11, 2017

The Defiant Ones (2017), HBO – This is four part documentary series on HBO that tells the stories of famed record executive Jimmy Iovine and gangster rap pioneer Dr. Dre. It’s a must watch for hip-hop fans and really anyone that truly appreciates music would probably enjoy it. It covers a lot of the stuff we already saw in the 2015 film Straight Outta Compton, but fills in some of the holes and tells a much more authentic story. And really, this is an era of music that I grew up on and love to death, so I don’t mind revisiting its roots multiple times. Jimmy Iovine’s story adds variety to the hip-hop stuff as he has also worked with artists like Bruce Springsteen, Marilyn Manson, and No Doubt to name a few. But what both of these moguls did was push the boundaries of what was thought to be acceptable – or even possible – in the music industry and have reached levels of success that are astronomical and extend far beyond merely making music. The Defiant Ones is very engaging for the viewer and quite a breeze for a four part series. Highly recommended.

Replay Value: I would watch this again like… tomorrow.
Sequel Potential: N/A
Oscar Potential: Not sure where this would fall in the Oscar categories, but it should have some Emmy potential, which I’m far less familiar with.

Grade: 4.5/5 (Close to a Must Watch)

Friends From College: Season One (2017), Netflix – A Netflix original series starring Keegan-Michael Key (Key & Peele), Colbie Smulders (How I Met Your Mother), and Fred Savage (The Wonder Years) about a group of old friends that reconnect as adults and… act like total assholes 100% of the time. There are multiple affairs, abundant drug and alcohol abuse, and basically every major character makes horrible decisions – and honestly, I’m not even sure this is a comedy. There are definitely moments that are meant to be funny and most of the actors have a comedic background, but the tone of the show comes across as serious and dramatic a lot of the time and I have to say it doesn’t really work. It doesn’t help that none of the characters are likable, with maybe the exception of Billy Eichner’s Felix. I’m not one to start a show and not finish it, so I made it all the way through the whole season, but if you look at this cast and think the show should be funny and enjoyable, you will probably wind up as disappointed as I was. I guess I’d watch a second season, especially if it’s only another eight episodes, but it would be more akin to looking at a car accident as you drive past it than something I’m actually looking forward to. The first season wasn’t good and there’s a lot of wasted talent in this series.

Replay Value: None.
Sequel Potential: The show hasn’t been renewed yet and if the rest of the world felt like I did, it might not get a second season.

Grade: 2/5 (Not Recommended)

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Straight Outta Compton (2015)

August 20, 2015

Starring: O’Shea Jackson, Jr., Corey Hawkins, Jason Mitchell, Paul Giamatti
Director: F. Gary Gray (Friday, Set It Off, The Negotiator, Law Abiding Citizen)

Bottom Line: I can still remember when my mom took my Dr. Dre The Chronic CD in disgust and hid it from me all the way back in 1993. I can also remember her driving me to Blockbuster Music to buy Snoop Doggy Dogg’s Doggystyle just a year or two later. Go figure. Regardless of how ambiguous my parents were about whether or not I should be listening to gangster rap music when I was just becoming a teenager, they made one thing abundantly clear: rap was crap and there was no way it would last. Well, it’s 25 years later and not only has hip-hop become one of the most financially lucrative genres of music in the entire industry, but we are getting Straight Outta Compton, a biopic detailing the rise and fall of the pioneering rap group N.W.A. – a movie that is generating early Oscar buzz from a group of voters that probably used to make my parents look like radicals.

I loved it. As a hip-hop aficionado, Straight Outta Compton felt like a gift from F. Gary Gray given specifically to me. It’s an epic picture that covers the formation of N.W.A., a group consisting of MC Ren, DJ Yella, Easy E, and two entertainers that are still superstars today, Dr. Dre and Ice Cube. From their humble beginnings coming from next to nothing in the ghetto of Compton, California, to their rise to the pinnacle of hip-hop while becoming public enemy #1, to the fragmentation of the group due to contract and payment disputes, to on record beefs with Ice Cube after he left the group, all the way up to Dre’s time with Death Row Records and Easy E’s tragic death due to HIV, Straight Outta Compton misses very little in the retelling of N.W.A.’s story.

Maybe it was because the Biggie Smalls biopic Notorious left such a bland taste in my mouth, but for whatever reason, I had little expectations for Straight Outta Compton up until I saw its first trailer and saw how authentic everything looked. The casting seemed solid and the idea of using Ice Cube’s son O’shea Jackson, Jr. seemed like a stroke of brilliance to me. Let’s just hope he can act! And boy can he. At least as his dad, which might not be the biggest stretch of his now promising career. He channeled Ice Cube so well and looked so much like his father, that it really feels like you’re watching a young Cube play himself in the film. It’s a remarkable performance. Jason Mitchell was stellar as Easy E and the rest of the supporting cast was solid as well. Corey Hawkins as Dr. Dre was the only actor in the main cast that I didn’t love. He wasn’t exactly a dead ringer for a young Dre and there were a couple moments in the film where I actually winced at some of his acting. All in all though, the cast really brought this story to life and I was impressed with how genuine it felt. There were plenty of intense scenes involving encounters with police, other rap figures, gangs, good ole Suge Knight, and, sometimes, each other. Perhaps the best sequence in the film is when Ice Cube embarks on his solo career and the group makes a subliminal remark about him, sparking him to respond with his classic “No Vaseline” – and then watching as the remaining N.W.A. members and their entourage react as they listen to it for the first time. It’s comedy gold.

Now, while I was super impressed with Straight Outta Compton it was hard not to notice some inconsistencies as someone that grew up during the late 80s and early 90s. First, in the great opening sequence of the film, Easy E is seen trying to evade police during a drug house raid in 1986 while wearing a Chicago White Sox hat with a logo the MLB team wouldn’t adopt until the early 90s. Also, there’s a scene at Death Row Records where Tupac is seen recording his record “Hail Mary” right before Dre plays him the beat to “California Love.” While this certainly could have happened, it seems unlikely considering that “Hail Mary” appeared on the Makaveli album after “California Love” was released on Tupac’s previous album All Eyes On Me. Also, I couldn’t help but feel that Dr. Dre’s executive producing credit had a direct affect on his portrayal in the film. For one, there was no mention of his assault of female rapper/television personality Dee Barnes. For two, it’s pretty common knowledge in the hip-hop world that Dr. Dre is a studio gangster – I’ve heard rumblings about how “soft” he is for years. Straight Outta Compton paints a pretty picture: Dre is seen throwing blows and getting buck on multiple occasions, including getting right up in the face of notoriously scary Suge Knight and telling him he’s leaving Death Row Records. It’s a scene I just can’t imagine ever happened. Suge Knight was, and remains, a completely psychopath, with an affinity for violence and no moral compass. There is no way he let Dr. Dre talk to him like that and walk away unharmed. It just didn’t happen. Finally, the film completely skips past the on record beef between Easy E and Dr. Dre, which seems like a pretty substantial part of the N.W.A. story.

Still, those are small nitpicks and they don’t bring down the quality of the film at all. Straight Outta Compton was a total thrill ride. As a huge rap fan growing up, this movie was like eye and ear candy to me. There are tons of references to songwriting and performances of classic N.W.A., Ice Cube, and Dr. Dre songs. I enjoyed almost every minute of it’s absurdly long (yet seemingly too short) running time. It’s an absolute must see for hip-hop fans, but I also think it has a broader appeal since it’s such a great movie. In fact, I think I’ll be going out of my way to recommend it to my mom and dad, and you know what, they’re going to love it.

Replay Value: It’s a must own for me.
Sequel Potential: None. (Edit: Apparently I spoke to soon. While there probably won’t be a direct sequel, the success of this film already has the industry rumbling about a biopic detailing the rise of Snoop Dogg, Warren G, Nate Dogg, and the Dogg Pound.)
Oscar Potential: This is where it gets interesting. My initial feeling after watching Straight Outta Compton was that it was my favorite movie of the year so far. Then I started wondering if other people, like potential voters, might feel the same way, and early reviews and buzz has this movie receiving some consideration. I think the actors playing Ice Cube and Easy E could be seen as long shots for acting noms, and the movie itself should have at least an outside chance at a Best Picture nomination… of course, with those kinds of possibilities, also comes possible nominations for directing, cinematography, writing, and various other technical aspects. It will be curious to see how things develop as, right now, Straight Outta Compton doesn’t have a lot of stiff competition just yet.

Grade: 8/10 (Excellent)

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New Eminem Video – “We Made You”

April 7, 2009

It’s always an exciting time when Eminem releases new music… but he’s been pretty bad for several years now, so who really knows what to expect from him anymore. Well, today, we get this gem. At first I was completely appalled by it… it’s just so corny and horrible.. but after digesting it a bit more, I think it’s funny and he’s rapping pretty good on it. The video also makes me smirk. Obviously, I don’t want anything else on the album to sound even remotely like this though. Thoughts?

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