Posts Tagged ‘netflix’

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December 2019 Movie Reviews: Star Wars: Rise of Skywalker, Knives Out, Christmas Movies

December 21, 2019

Going forward, this is how I’m going to review movies – unless I want to highlight a specific movie I think warrants more discussion (i.e. leaving Parasite off this list). You can expect quick, succinct reviews here that give you an idea of how I felt about a movie and a few strengths and weaknesses, if warranted. I’ll keep track of every movie I watch throughout the month and post my thoughts on them at the start of the next month. This will include rewatches and possibly rating changes. I’ll also post some thoughts on any TV shows if I finish watching a season during the month. My rating system for TV is a little different than for movies because… I’m a psychopath.

Star Wars: The Rise of Skywalker (2019, theaters) – Geez. I’ve never proclaimed to be a big Star Wars fan, so it’s not like I’ve ever been super invested in these films, but… I think I’m over them. There have been eight Star Wars movies released since I was in high school and I’m a genuine fan of two of them (Rogue One and The Force Awakens) and none of them have been dear to me. That’s a lot of mediocrity. The Rise of Skywalker just adds to the list. It was mildly entertaining, but I honestly didn’t care about anything that was happening. As always, these movies are pretty good visually but I just can’t get emotionally invested in the story or find a way to care about these characters.

5/10 (Decent)

Knives Out (2019, theater) – This probably deserves a formal review but here we are. It’s a slick whodunnit with a great cast and plenty of memorable characters and is wildly entertaining the entire way. I give it a strong recommendation and would be happy to watch it again. I can actually see this growing on me and giving it a higher rating in the future.

7/10 (Highly Enjoyable)

Thoroughbreds (2017, HBO NOW) – Interesting, entertaining and a bit disturbing with some quality performances from Olivia Cooke and Anya Taylor-Joy. Also features the late Anton Yelchin in one of his better roles. I recommend it.

6/10 (Recommended)

Klaus (2019, Netflix) – A worthy addition to the staple of Christmas holiday films with a fresh take on the legend of Santa and some unbelievably crisp animation. I thought this was top notch, but I want to see it again before labeling it a Must See.

7/10 (Highly Enjoyable)

Home Alone (1990, Disney+) – The most amazing thing about Home Alone is that I’ve probably seen it more than any other movie in my lifetime and yet, I still enjoy it. Even as I enter my late 30s I still don’t mind watching it every single year around Christmas time. This movie is full of plot holes, nonsense, and unbelievably dumb characters, but I still love it and it’s charm is undeniable. A true classic, even if it isn’t exactly a great film.

7/10 (Highly Enjoyable)

Home Alone 2: Lost in New York (1992, Disney+) – I can’t blame anyone involved for making this, but it’s basically just a retread of the first film set in New York City under even more unbelievable circumstances. I guess it’s still kind of fun, but it doesn’t come close to capturing the magic of the original.

5/10 (Decent)

Fatal Attraction (1987, Amazon Prime) – A movie that has always intrigued me but I never got around to watching. I always thought it was probably just softcore erotica, but Fatal Attraction actually got nominated for six Oscars, including Best Picture! Seeing it streaming on Prime, I finally watched it and it was… pretty good! Glenn Close totally makes the movie and plays unhinged and obsessed really well. It didn’t strike me as a film that should be in anyone’s top 5 of any year, but it was definitely worth watching.

6/10 (Recommended)

Us (2019, HBO NOW) – I’ve seen it three times now. After two viewings, I was pretty confident labelling it a Must See, but after a third viewing, I think it’s just a pretty good, but not great film.

7/10 (Highly Enjoyable) [revised rating]

Star Wars: The Last Jedi (2017, Netflix) – I thought this was really mediocre and bordering on bad the first time I saw it, but after being convinced to give it another chance (plus wanting to refresh before the new movie) I found it to be enjoyable this time around as some of the things that bothered me (i.e. Rose) didn’t anymore. I still don’t think it’s good enough that I’d recommend it though.

5/10 (Decent)

The Santa Clause (1994, Disney+) – A forgotten Christmas classic. Whenever the best holiday movies come up, I don’t seem to hear The Santa Clause get mentioned much, but it’s far too enjoyable to be omitted like that. Tim Allen is somehow great casting and this movie oozes charm and holiday spirit.

7/10 (Highly Enjoyable)

Blumhouse’s Truth or Dare (2018, HBO NOW) – Total trash. Like… absurdly dumb. It gets called a Final Destination ripoff a lot, but I thought the movie it really wanted to imitate was It Follows. This is almost certainly the single worst movie I’ve watched in 2019 (but note it is a 2018 release).

2/10 (Painful)

Noelle (2019, Disney+) – Apologies to Truth or Dare, this is the biggest piece of shit I watched in 2019. Unbearably cheesy, misguided, and not even remotely funny, my wife and I both thought this was unwatchable. I’ll give Dina credit for making it to the halfway point – and I was going to power through if she wanted to – but when she quit it, I figured I probably shouldn’t spend my last hours of 2019 watching the worst movie of the year, and I turned it off about 50 minutes in.

2/10 (Painful)

TV SHOWS

Big Mouth (s2, 2018, Netflix) – A guilty pleasure, I guess? It’s raunchy animation focused on middle school kids going through puberty and all the emotional and physical craziness involved when your hormones start taking over. This show is NOT for kids though. It’s a hard rated-R – and possibly even worse – with absurdly graphic sex talk and even shows the kids naked sometimes. I almost feel bad even watching it. Some of the characters are way too over-the-top and gross (Jay, Coach Steve, the Hormone Monsters). On the other hand, it’s also pretty damn charming and plenty funny, plus I think it does a good job of really digging into the difficulties and wonders of discovering your bodies at that age. Nick Kroll does some excellent voicework and I really liked the addition of The Shame Wizard in this season. I’m a bit ambivalent about how I feel about this show, but I guess I like it overall and have to admit I enjoy it.

3.5/6 (Decent/Good)

The Mandalorian (s1, 2019, Disney+) – I’m going to say it… this is the best thing to ever come out of the Star Wars universe. I’ve already mentioned I don’t hold any of the films dear to me, so when I make this statement, it’s not coming from someone that is in love with the franchise. I kind of went into The Mandalorian wanting to not like the show, but it didn’t take long to win me over. Everyone knows about Baby Yoda by now and that was a goddamn stroke of creative genius. Baby Yoda is a level of cuteness that has possibly never been seen before and adds a serious mystique to the show. It’s not a spoiler to say that this character is never referenced in the trilogy that just wrapped up, so… I’m extremely curious to see where this story is headed. I think Baby Yoda makes the show, but there is plenty to love about The Mandalorian. From a technical standpoint, it’s as spectacular as any show I’ve ever seen. The sets, sounds, costumes, and creatures are all elite. I’m eagerly looking forward to seeing what Jon Favreau and co. have in store for season 2.

5/6 (Must Watch)

Rick & Morty (s4 pt. 1, 2019, Adult Swim) – I got into Rick & Morty either this year or last year, so I was late to the party, but it didn’t take long to win me over. I devoured the first three seasons and by the time I was done with them, I was on board with the sentiment that the show was all-time levels of awesome. Season 4 is the first time I’ve watched the episodes as they came out and I have to say, I was a little disappointed with the first half of season 4. They have released five episodes so far and I thought two of them were great (episodes one and five), while episode four (with dragons?) was one of the worst of the whole series. To be fair though, the bar for the series is insanely high, but that episode was a bit of a head scratcher for me. The other two episodes I was a bit lukewarm on but still liked overall. Considering the consistent level of greatness this show has operated on for three seasons, having two cool episodes and a weak one in the first five of season four seems like a step in the wrong direction.

4/6 (Good)

Don’t F*** With Cats (2019, Netflix) – An insane story about how a bunch of internet nerds formed a Facebook group to track down some kid that made a video of himself torturing and killing a cat and then posted it online. It’s pretty crazy how the group figure out who the person is and then watch in horror as he escalates to actually murdering a human (also posted in a video online). I guess I’m confused about how the internet works because it seems like it would be extremely easy for law enforcement to find out exactly where a video was posted and track down the person that made it, but maybe these are advances in technology that have mostly be fine-tuned in the 7+ years since these events took place. Still, this is an unreal and extremely fascinating story. There are three episodes and once you start the first one, you won’t want to stop watching until you are done.

4.5/6 (Good/Must Watch)

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Marriage Story (2019): Best Picture Favorite?

December 13, 2019

Marriage Story (2019)

Director: Noah Baumbach (The Meyerowitz Stories, Frances Ha, Greenberg)

Starring: Adam Driver, Scarlett Johansson

Anticipation Level: High

How Was It? I’m not going to lie, this movie wasn’t even on my radar a month ago, but it didn’t take long for the hype to build and make me think there might be something special here. I thought Marriage Story was absolutely fantastic. It’s a tight little story about a family going through the divorce process as the adults try to pursue their careers on opposite coasts while playing tug-a-war with their only child. I could really feel the authenticity in everything that was happening – from the recollection of happier times to the disbelief that someone you used to love more than anything in the world could suddenly become your worst nightmare, the film rang true and will probably feel familiar to anyone that has been through a difficult breakup. I didn’t think there was a phony moment in this movie. Also, while it’s a tearjerker that will pull at your heart strings, it also made me laugh more than most of the comedies I’ve seen this year.

Adam Driver and Scarlett Johansson give absolutely sensational performances. I was blown away by both of them and there were multiple scenes throughout the film where I was enthralled by their acting. They are already both nominated for Golden Globes and both are locks for Oscar noms also, with Scarlett looking like the favorite to win right now to me. Laura Dern is also great in this movie as Scarlett’s divorce attorney. I’ve always thought of her as the actress from Jurassic Park but after her work here and in Big Little Lies on HBO the last few years, it’s pretty clear she’s become an elite actress. She has a Globe nom for this movie also and is certainly drawing live at an Oscar nom as well.

Marriage Story is definitely a difficult and sad movie. I watched it while my wife was sleeping next to me and I was so moved by the film that I gave her a long hug of appreciation for what we have while thinking about how happy and grateful I am to have her in my life. Marriage Story is a good reminder to not take things for granted and to not autopilot your way through life, work, and your relationships. I’m not a highly emotional person and usually movies that have an affect on me just make my eyes water up a little bit, but this one actually made me spill tears.

Marriage Story is an absolute must see movie with some knockout performances. It’s currently among my top 3 movies of the year and definitely has a chance to win the Best Picture Oscar. Check it out on Netflix streaming right now.

Replay Value: Not really the kind of movie that people will want to watch repeatedly, but I think I will enjoy it again before Oscar season.

Sequel Potential: None.

Oscar Potential: Definitely. The film got six Globe noms in all and all three nominated actors will probably get Oscar nods as well. I’ll say a Best Picture nom is a lock and the movie should have a shot at writing, directing, and score noms.

8/10 (Must See)

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Movie Reviews: The Irishman, Terminator: Dark Fate, The Lighthouse, El Camino, and more

November 22, 2019

This seems to be a growing trend for me. I get so backed on up movies I haven’t reviewed that I just spew them all out in one lazy, abbreviated post. I have to admit, I don’t feel much like writing in depth reviews for movies anymore – unless I’m really inspired to do so – but I’d like to find a way to streamline the process one movie at a time. Hope to figure it out soon. Until then…

The Irishman (2019) – I’m going to give this another go when it comes to Netflix next week because I was expecting a total masterpiece and what I got was… a very good film. The acting in this movie is pretty high level, especially from Joe Pesci and Al Pacino. De Niro is good also, but I’d be kind of surprised if his performance gets Oscar attention. This movie centers around the mob’s involvement with the Teamsters and the events leading up to Jimmy Hoffa’s disappearance (which I don’t know much about) so the story spans many decades and the filmmakers had to use a de-aging process on the actors and I think for the most part it looks pretty great. There was one scene where De Niro’s character is in his 20s or 30s and gives the business to a shop owner and he’s roughing him up with all the ferocity of a, well, 75 year old man. I think The Irishman is technically sound and will probably get plenty of Oscar attention, but the movie didn’t wow me and the story didn’t really move me. Also, at 3.5 hours, the run time isn’t exactly ideal and after one viewing I’m not sure it needed to be that long. I’m hoping to change my mind after watching it again and discover that it’s actually a great film.

7/10 (Highly Enjoyable)

Terminator: Dark Fate (2019) – I liked that they took the Halloween approach and ignored the last three movies and made this a direct sequel to Judgment Day. In fact, I watched The Terminator and Judgment Day in the days leading up to seeing Dark Fate and, uh, I’m pretty sure that was a mistake. Those films are just so much better and the drop in quality is impossible to ignore. Also, I absolutely hated the opening sequence of this movie. I was literally like wtf before the title even showed on screen. I didn’t find myself very invested in the new characters, as Arnold and Linda Hamilton provided pretty much all the highlights in this film. If the franchise plan is to move forward with the new group and leave Arnie and co. in the past, they are going to be in trouble. I suppose the action in this movie was pretty decent, but I checked out early on in the film and it only brought me back when Arnold was saying funny things. I thought it was strange that the future would send back a human-cyborg hybrid that had so many, uhm, red flags health-wise – the most excruciating moments of the movie were centered around trying to revive her. Give me a T-800 all day. I thought this movie was pretty middling and continues a nearly 30 year run of mediocre Terminator movies, but a couple of my friends assured me it had “top 5 sound all-time” (in case that’s something anyone cares about).

5/10 (Decent)

The Lighthouse (2019) – Willem Dafoe and Robert Pattinson are great in this, but… it was too weird for me. I didn’t really get it and had to read about it on Wikipedia to try and figure out what I missed. I felt the same way about director Robert Eggers’ last film The Witch. It kind of bothers me when something is critically lauded and I find myself scratching my head while watching it. I generally find that if something is universally acclaimed, it is usually pretty good, so when I don’t feel the same way, it makes me feel like I don’t get it. That makes me hesitant to say a movie like The Lighthouse is bad because I don’t really think that it is. The acting and cinematography are top notch, and it’s a rather beautiful looking film, but… the story appears to be over my head and I didn’t enjoy it much. I’m going to give this a 5 out of 10, but be warned, many of you out there could very well hate it.

5/10 (Decent)

El Camino: A Breaking Bad Movie [Netflix] (2019) – Well, that was quite unnecessary. Breaking Bad is a top five show all-time for me (and maybe as high as #1), so I’m eager to dig into any additional content, but Jesse’s character was never the reason I watched the show and if they made a spin off series based on his character, I’m not even sure I’d tune in for that. This movie tells Jesse’s story immediately following the events of the series finale of Breaking Bad and while I guess I found watching this movie to be somewhat enjoyable, it was also a largely forgettable experience. Jesse Plemons reprising his role as Todd was by far the highlight of this movie. Something about that guy is just hilarious. Obviously, if you loved Breaking Bad you should probably watch this, but I can’t say it added much to the lore and for continued Breaking Bad content, Better Call Saul is far more entertaining.

5/10 (Decent) – and that might be generous

The Art of Self-Defense (2019) – This movie was hyped up to me and I had hopes that it would be a surprising dark comedy, but I thought it got pretty ridiculous about halfway through and it totally lost me as a viewer. The first half of the movie is quirky and funny, but it falls off a cliff when Jesse Eisenberg’s character becomes entangled in the seedy operations of the dojo he enlists at. I suppose it’s worth a watch, but I wouldn’t recommend it.

5/10 (Decent)

Batman vs Teenage Mutant Ninja Turtles (2019) – Cowabunga! A 1990s 12 year old’s dream come true! Unfortunately, it’s 2019 and this movie is about 25 years too late for peak impact. Still, even though these aren’t the Turtles of my youth, I was pretty impressed with this mash up. I thought it was funny and entertaining and not nearly as cheesy as I expected. I’ve seen it twice now and enjoyed it both times. My only real gripe is that it seems like seeing Batman’s rogues gallery get infected by the ooze and turn into Manimals would be really cool, but the results are pretty disappointing. Overall though, this was a pleasant surprise, especially considering the poor run Batman’s animated feature length adventures have been on.

6/10 (Recommended)

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Roma (2018)

February 18, 2019

Roma (2018)
Director: Alfonso Cuaron (Gravity, Children of Men, Harry Potter and the Prisoner of Azkaban, Y Tu Mama Tambien)
Starring: Yalitza Aparicio, Marina de Tavira

Anticipation Level: Modest

How Was It? Roma is a heavy favorite to win Best Picture this Sunday. As you can see from my level of anticipation, despite all the hype around Roma, I just wasn’t all that excited for it. I’m not exactly sure why. Maybe because no one I know personally has told me it was great. Alfonso Cuaron is one of my favorite directors and every movie he’s made since Y Tu Mama Tambien in 2001 has cracked my top 10 for the year.

I very much wanted to be blown away. I wasn’t. Well, I sort of was. A lot of the praise heaped on Roma is due to writer/director/cinematographer Alfonso Cuaron’s ridiculous visual presentation. It is a truly beautiful film – shot in black and white, yet full of vibrant life. Visually, Roma deserves all the adoration it has received. I just wasn’t emotionally invested in the story. From my understanding, Roma is largely inspired by Cuaron’s own childhood and the main maid/nanny character of Cleo is based on his family’s own maid/nanny from when he was growing up. In fact, I just read that 90% of the scenes in the movie are taken from Cuaron’s own memories. That actually makes this movie substantially cooler. Still, on my first viewing, I found the pace of Roma to be a bit of a drag and the most powerful scenes in the film didn’t affect me as much as I suspect they were supposed to. Yalitza Aparicio and Marina de Tavira both got Oscar noms for their acting in this movie and while I can see how Aparicio got nominated, it’s not as clear why de Tavira did; I thought she was solid but nothing spectacular. Aparicio had zero acting experience prior to this movie and only auditioned for the role because she “had nothing better to do” and didn’t even know who Alfonso Cuaron is. The fact the she is now an Oscar-nominated actress is quite an amazing story.

Honestly, I think I owe Roma another watch, but after my first viewing, I felt underwhelmed. It is definitely a gorgeous and intimate film, but I’m sorry, it was a bit *gasp* boring. It is a must watch film because it’s probably going to win a lot of Oscars – including Best Picture – and the cinematography is top notch, but if you don’t care about the technical aspects of making films (I do) and simply want to be entertained, Roma will probably disappoint. I do think this is a film that could end up growing on me.

Replay Value: I’m willing to give it another chance and see if it impacts me more on a second viewing.

Sequel Potential: None.

Oscar Potential: Roma is nominated for ten Oscars and seems like the favorite to win Best Picture. Even more of a lock is Alfonso Cuaron for Best Director and Best Cinematography. Roma is also a lock to win Best Foreign Language Film. I mentioned the two actresses have nominations and Roma also has nods for Original Screenplay, Production Design, Sound Editing, and Sound Mixing. I would be pretty surprised if Roma doesn’t notch at least four Oscars on Sunday night.

Dina Meter: I wonder… I kind of feel like Dina would quit this film pretty early but there are some things I think she’d like.

6/10 (Recommended)

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Lazy Movie Reviews: Into the Spider-Verse and more!

December 19, 2018

Spider-Man: Into the Spider-Verse (2018) – I absolutely loved it. Everything in this movie is so well done – from the story to the animation to the voice acting (especially Nicholas Cage). It’s all top notch. I thought there might be potential for things to get really convoluted with merging universes and multiple Spideys but it’s easy to follow and all the various characters give us reasons to care about them. This movie also had me laughing pretty much from start to finish and the story actually packs quite the emotional punch. It’s not just a strong animated movie… it’s one of the best movies of the year. Period.

8/10 (Must See)

Creed II (2018) – A decent follow-up to the first Creed but doesn’t pack nearly the same emotional punch. Still, for the 8th installment in the Rocky franchise, one can hardly complain. If you’ve enjoyed the story up to this point, this is more of the same.

5/10 (Decent)

Fantastic Beasts: The Crimes of Grindewald (2018) – This is the worst thing J.K. Rowling has ever written – that I’ve read or seen (I have not read her books for adults). I thought the first Fantastic Beasts was decent enough, although a far cry from the quality seen in the Harry Potter movies. My problems with the sequel are the same as the first movie, only much worse this time around. The characters in these movies are just so brutally hollow and uninteresting. The story is extremely weak here and the pacing is unreal slow. Creedance Bareback is one of the worst villains ever. Wait, is he a villain? Who knows. Who cares? Johnny Depp brings absolutely nothing to the role of Grindewald, but I did think Jude Law was fine as a younger Dumbledore. The creatures play a much smaller role in this movie and that’s a shame because they were the best thing about the first one. My interest level in this franchise has gone from middling to hanging by a thread

3/10 (Bad)

Widows (2018) – A captivating thriller with surprising twists and real world relevancy, plus top notch performances from Viola Davis and Elizabeth Debicki. One of the more enthralling movies of the year.

8/10 (Must See)

Mid90s (2018) – A nostalgic trip through my early teen years. This movie was like reliving my past, albeit without the actual skateboarding. From idolizing kids that are only a few years older (or in my case, the same age) to trying drugs, alcohol, and girls for the first time, this is a coming of age flick for kids that grew up in… the mid90s.

7/10 (Highly Enjoyable)

Overlord (2018) – I’m not sure I’m on board with calling this a B-movie as the special effects and cinematography were pretty good.
The actors are mostly unknown, but I didn’t think there was anything overly cheesy going on here. It’s a fun super-serum fueled zombie flick with Nazis as the bad guys.

6/10 (Fun)

The Christmas Chronicles (2018, Netflix) – I probably wouldn’t have watched this without seeing a strong recommendation from someone I knew. It is a welcome addition to the existing library of fun Christmas movies. This one gives Santa an upgrade in abilities and Kurt Russell is surprisingly great hamming it up as our favorite holiday folk hero.

6/10 (Fun)

To All the Boys I’ve Loved Before (2018, Netflix) – I’m not sure how it happened, but this movie charmed my pants off. Wait. That sounds bad. The movie doesn’t start strong and the event that gets things rolling is a little dumb, but once the two leads start interacting with each other I think it gets quite good, as long as you can get past the fact that these are stupid teenagers acting like stupid teenagers.

6/10 (Fun)

Mandy (2018) – This movie was a total trip. If you ever wanted to drop acid and watch a movie… this would be a good film to go with. It feels like a mash-up of Hellraiser and Mad Max with a sprinkle of Evil Dead and a Nicholas Cage hell-bent on bloody revenge. Plus it has some funky camera work and cool music. Mandy gets a very strong recommendation from me, but you have to have an open mind and a thick stomach.

7/10 (Highly Enjoyable)

Incredibles 2 (2018) – We had to wait 14 years for this? As a huge fan of the original movie, I was really disappointed with this sequel. With such a long break in between films, you’d think they could come up with a more interesting story. I had the villain pegged the first time I saw them. In fact, I thought it was so obvious that I probably had to be wrong. Nope. Jack Jack the baby is easily the highlight of the movie. The rest of the main characters, aside from Elastigirl, aren’t given much room for growth. This movie isn’t nearly as funny or as charming as the first. Aside from the Toy Story movies and Finding Dory, Pixar has mostly fallen flat with their sequels.

5/10 (Decent)

Ant-Man and the Wasp (2018) – This was a massive disappointment for me. I liked the first movie and this sequel seems to bring nothing new to the table. This movie isn’t nearly as funny as it wants to be and while I won’t call it outright bad, it was pretty boring and unmemorable.

4/10 (Forgettable)

Solo: A Star Wars Story (2018) – I enjoyed it, but I wasn’t expecting much. I would have been less surprised if this sucked than if it was really good. It has been a couple of weeks since I saw it and nothing really stuck with me, so that says something. I thought dude playing Han did an fine, but unremarkable job. There were some easter eggs for franchise fans, but there was probably a ton of stuff that this semi-fan missed. I imagine Star Wars will be mostly pleased, but this was nothing special.

5/10 (Decent)

Replay Value: Into the Spider-Verse, Widows and Mandy are movies I’d happily watch again right now. Mid90s is worth seeing again. To All the Boys I’ve Loved Before and The Christmas Chronicles have some replay value, but the rest of these movies I’d never need to see again.

Sequel Potential: Into the Spider-Verse should definitely get a direct sequel. Fantastic Beasts, Creed II, and Ant-Man and the Wasp are all part of ongoing franchises. Solo is a spin-off that will probably get its own sequel. I would imagine Widows and Mid90s are standalone films. The Christmas Chronices has potential for future films.

Oscar Potential: Into the Spider-Verse is a lock for a Best Animated Feature nomination. I haven’t seen many animated movies this year, but I can’t imagine anything winning the Oscar over this one. I thought it was good enough to warrant some long shot Best Picture consideration, but that isn’t going to happen. The Crimes of Grindewald is on the short list for Best Score, but already whiffed on Visual Effects and Make-Up. I guess it is still a contender for Costume Design. Widows should get Viola Davis another Best Actress nom and some Best Picture consideration. I thought Elizabeth Debicki was worth consideration for her supporting role in the movie, but the competition is looking too stiff for a nomination. Incredibles 2 will probably get a Best Animated Feature nomination because Pixar movies basically always do, but it would have to be a very weak year for it to be deserved. I’ve actually only seen two animated features this year, so I have no idea. Solo: A Star Wars Story and Ant-Man and the Wasp are on the short list for the Visual Effects category.

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January 2018 – Movie/TV Preview

January 6, 2018

My list of January movies I’m looking forward to doesn’t look much different than last month’s list, as a number of the films I want to see saw a limited release in December to qualify for the Oscars, but will receive wide releases this month. Some of these movies aren’t playing anywhere near me and don’t have an upcoming wide release listed, so chances are I won’t see many of them until they are on blu-ray.

1. Molly’s Game (January 5th, wide) – Jessica Chastain play Molly Bloom, host of private high stakes poker games in Hollywood and New York that featured some A-List celebrities. The book was enjoyable, but this film is getting raves and Aaron Sorkin is a master at turning books into screenplays.

2. Lady Bird (limited release now) – I don’t know much about this movie except that it’s a supposedly quirky coming-of-age story starring Saoirse Ronan and written/directed by Greta Gerwig and that’s it’s one of the most highly rated films of 2017.

3. I, Tonya (???) – Margot Robbie plays Tonya Harding, the former renowned figure skater that conspired to have Nancy Kerrigan assaulted and made a sex tape she sold to Penthouse.

4. The Disaster Artist (???) – This movie is about some guy that made a bad movie called The Room. I don’t know much about any of that, but James Franco is apparently spectacular in this and it has received critical praise.

5. The Post (January 12th, wide) – Steven Spielberg directs Meryl Streep and Tom Hanks in a political drama where the press squares off against the government.

6. All The Money In The World (in theaters) – Michelle Williams, Christopher Plummer, and Mark Wahlberg star in this thriller directed by Ridley Scott about a boy that is kidnapped and his mother’s desperate attempt to get his billionaire grandfather to pay the ransom. An amazing note about this film: Kevin Spacey originally starred as the rich grandfather but was replaced by Christopher Plummer when his scandal broke. This happened on November 8th. Plummer had two weeks to memorize all his lines and prepare for the role before reshoots over the 2017 Thanksgiving holiday and the film was released on December 22nd. Incredible!

7. Phantom Thread (January 19th, wide?) – Paul Thomas Anderson and Daniel Day-Lewis are all the information I need, but the plot outline doesn’t really grab me.

8. The Darkest Hour (limited now?) – Gary Oldman disappears into the role of British Prime Minister Winston Churchill on the threshold of World War II.

9. Hostiles (January 19th, wide) – Christian Bale and Rosamund Pike star in a this period piece set in the late 1800s about an Army captain escorting an Cheyenne chief through dangerous territory. From Scott Cooper, director of Crazy Heart, Black Mass, and Out of the Furnance – all notable films, but none of which I’ve seen.

10. The Commuter (January 12th) – Liam Neeson does Liam Neeson things. On a train. This is the only official 2018 release to crack this list and my interest in it is pretty mild.

Netflix Additions

Immediate Watch

Eventually Watch

Before I Wake (January 5th)
Comedians In Cars Getting Coffee, Season 10 (January 5th)
The End Of The F**king World, Season 1 (January 5th)
Katt Williams: Great America (January 16th)

Might Watch

Captain Underpants: The First Epic Adventure (January 10th)
The Force (January 29th)
A Futile and Stupid Gesture (January 26th)
Rotten, Season 1 (January 5th)

Other Notables – Certified Classics in bold

Apollo 13 (January 1st)
Batman (January 1st)
Batman Returns (January 1st)
Batman Begins (January 1st)
Breakfast At Tiffany’s (January 1st)
The Conjuring (January 8th)
Dallas Buyers Club (January 16th)
The Godfather (January 1st)
The Godfather: Part II (January 1st)
Into The Wild (January 1st)
Lethal Weapon (January 1st)
Lethal Weapon 2 (January 1st)
The Shawshank Redemption (January 1st)
Training Day (January 1st)
The Truman Show (January 1st)
Wedding Crashers (January 1st)

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Coco (2017), Gerald’s Game (2017)

December 13, 2017

Starring: Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt
Director: Lee Unkrich (Toy Story 3, Finding Nemo, Monsters Inc., Toy Story 2)

Bottom Line: I loved it. What a feel good movie about family, passion, music, love, loss, memory, and, of course, death. Coco is a return to form for Pixar, combining absolutely beautiful CG animation with memorable characters and an enriching, funny story that pulls at the heart strings. Bring your Kleenex! This is Pixar’s best original film since Up in 2009.

Replay Value: Pretty close to a must own. I would definitely enjoy watching this multiple times.
Sequel Potential: Hit animated films always have sequel potential, but I think this would work best as a standalone film.
Oscar Potential: Best Animated Film nomination is a lock. There is potential for Best Picture and Best Original Screenplay. Possibly Best Original Song for “Remember Me.”

Grade: 8/10 (Must See)

Starring: Carla Gugino, Bruce Greenwood
Director: Mike Flanagan (Ouija: Origin of Evil, Hush)

Bottom Line: Gerald’s Game is a taut psychological thriller based on a short, overlooked Stephen King novel about a woman that goes on a remote cabin getaway with her husband in the hopes of rekindling their marriage. He cuffs her to the bed, she hates it, implores him to let her free, but… he has a heart attack and falls off the bed, wounding himself fatally. So she’s stuck there, handcuffed to the bed, with no food, and no company except a hungry, stray dog that wanders into the house and the figments of her deteriorating psychosis. Gerald’s Game is a surprisingly deep and emotional film considering the vast majority of it takes place on a bed with a woman that can barely move. Carla Gugino gives a phenomenal performance. This movie is streaming on Netflix and I definitely recommend it to anyone that enjoys psychological thrillers and doesn’t mind the claustrophobic circumstances.

Replay Value: Not a great candidate for multiple viewings, but it’s something you could revisit many years later.
Sequel Potential: Zero.
Oscar Potential: Carla Gugino is fantastic in this. Not sure how a Netflix movie plays into the Oscar races, but I’ll guess she doesn’t get much consideration.

Grade: 6/10 (Recommended)