Posts Tagged ‘movies’

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10 Cloverfield Lane (2016)

October 14, 2016

Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher
Director: Dan Trachtenberg

Bottom Line: 10 Cloverfield Lane was a solid and fun suspense mystery featuring good performances from Mary Elizabeth Winstead and John Goodman in the lead roles. Winstead’s character has a bad car accident and wakes up to find herself captive in the survival shelter of a man (Goodman) that claims a chemical attack has made the above ground world unlivable. The big mysteries of the film are whether or not Goodman’s character is telling the truth – and there are plenty pf reasons to question his intentions – and what, if anything, this film has to do with J.J. Abram’s 2008 monster film Cloverfield (Spoiler alert: he’s a not-so-secret producer on the film).

10 Cloverfield Lane is a tense, claustrophobic film with some good scares, a solid cast, and a mystery that will have you guessing until the very end.

Replay Value: I’d watch it again.
Sequel Potential: It’s hard to comment on this because you are wondering the whole film if it’s a sequel or not.
Oscar Potential: John Goodman gives a great supporting performance but it will probably be forgotten and overlooked come award season.

Grade: 6.5/10 (recommended/must see)

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Room (2015)

February 20, 2016

Starring: Brie Larsen, Jacob Tremblay
Director: Lenny Abrahamson

Bottom Line: Imagine being born in a shack, growing up within those confines, and having no concept of your situation or the outside world. You have T.V., food, a man that stops by to deliver groceries and lay with your mother while you sleep in the closet… but as far as you know, this is all there is to life. That’s the premise of Room, where a woman is kidnapped at age 17, raped, impregnated, and held in captivity for years after giving birth. She decides to raise her son in a way that makes him ignorant and tolerant of his living conditions. “Room” is all he knows – he’s five years old and he’s never set foot outside the shack he lives in.

Brie Larsen gives a stunning performance as the mom in Room. Possibly the best performance of any 2015 film that I’ve seen so far. She sends her character through the gamut of emotions, all while making it seem effortless. I noticed Larsen’s ability to make her acting seem natural in Trainwreck earlier in 2015, but her performance in Room is a true tour-de-force – and she makes it seem so natural. I’m blown away by Brie Larsen in this movie. Her character took a situation that is undoubtedly terrifying and disgusting – captivity and constant rape – and somehow made it seem like we weren’t really watching a scary movie – just the atmosphere she wants her son to think he lives in. In that way Room reminded me a bit of Roberto Benigni’s Life Is Beautiful, where a Jewish father in a concentration camp pretends that their situation is a game for the benefit of his son.

Jacob Tremblay also gives a great performance in this movie. Perhaps overshadowed by Larsen’s amazing work, Tremblay offers the best child performance I’ve seen in years.

I don’t believe that it’s a spoiler to mention that the captives in Room eventually escape and a big portion of the movie centers on the son discovering that there’s a world outside of the shack. To be honest, I was a bit disappointed with this section of the movie – I thought the child’s wonder would be a bit more interesting, but the second half of the movie focuses more on the mother adapting to a life outside of captivity and dealing with the media aspects of being an escaped hostage. Still, I found Room plenty enjoyable and I’m looking forward to seeing it again.

Room is one of the best films of 2015 – a gritty must see that features an absolute knockout performance from Brie Larsen.

Replay Value: I’m looking forward to watching it again with my wife. I think I could like it more the second time.
Sequel Potential: N/A
Oscar Potential: Nominated for four big Oscars: Best Picture, Best Actress, Best Director, and Best Adapted Screenplay. Brie Larsen should be a virtual lock for an Oscar.

Grade: 7.5/10 (Must See/Excellent)

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Deadpool (2016)

February 15, 2016

Starring: Ryan Reynolds, Morena Baccarin, T.J. Miller
Director: Tim Miller

Bottom Line: Deadpool was everything I was hoping it would be: entertaining and hilarious. And it delivers both in heaps. The last couple years produced two of the funnier superhero movies with Guardians Of The Galaxy and Ant-Man, but Deadpool makes those films feel about as fun as Schindler’s List in comparison. It’s truly uproarious. With the exception of some slow moments as we delve into Mr. Pool’s origin story, you will never stop laughing.

Ryan Reynolds is at his best when he’s doing comedy and Deadpool is his first really funny role since playing Monty in Waiting all the way back in 2005. After seeing his involvement with the disastrous portrayal of Deadpool in X-Men Origins: Wolverine and the terrible adaptation of Green Lantern, there was plenty of reason to be skeptical that another Ryan Reynolds superhero movie could be any good – and yet Reynolds felt like perfect casting, even before the wild success the film has enjoyed over its record-breaking first weekend. The rest of the cast is solid too. T.J. Miller of HBO’s “Silicon Valley” is great as Wade’s buddy and it’s interesting seeing “Gotham‘s” Morena Baccarin play a more sultry and humorous role.

But Ryan Reynolds is the star here and he delivers the performance of his career. Just imagine Van Wilder growing up to become a mangled superhero, but with way funnier (and even more obscene) dialogue. Yes, this is not a family film. There’s sex, nudity, graphic violence, and never-ending cursing and harsh sexual innuendo. The kids growing up watching The Avengers should maybe sit this one out… but honestly, I’d probably let my kid watch it. It’s possible to teach your kids what’s right and what’s wrong and how to speak and act – even while exposing them to some pretty raunchy stuff.

Deadpool is a winner – a must see comic book film and all around excellent at being the movie it wants to be: a not-too-serious R-rated superhero comedy. Deadpool is fantastic.

Replay Value: I will buy it when it comes out. I’m curious to see how it holds up considering most of its enjoyment is a result of the humor.
Sequel Potential: Already green lit and supposedly fast-tracked for 2017.
Oscar Potential: It’s so early it’s hard to imagine this being considered for awards. I’ll say it whiffs on Oscar noms, but if anything deserves extra credit here it’s definitely the script.

Grade: 7/10 (Highly Enjoyable)

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The Hateful Eight (2015)

February 5, 2016

Starring: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh
Director: Quentin Tarantino (Pulp Fiction, Django Unchained, Kill Bill, Inglorious Basterds)

Bottom Line: I hate to say it, but The Hateful Eight, was arguably the worst Quentin Tarantino movie I’ve ever seen. Maybe it will go down as overlooked and underappreciated like Jackie Brown or underwhelming but better than you thought it was like Death Proof – but without a doubt, The Hateful Eight, was the least entertaining QT film I’ve seen on an initial viewing. The film is highly dialogue driven with very little action until the over-the-top finale – and clocking in at over 2 and a half hours it all feels about an hour too long.

Not that The Hateful Eight is all bad. As usual, Tarantino gets the best out of his actors and Samuel L. Jackson, in particular, gives an amazing performance. Jennifer Jason Leigh is also very good. And of course, there is plenty of great dialogue for the actors to chew on.

Ultimately, what plagues The Hateful Eight is how the slow, intense build up leads to a pretty underwhelming climax. QT is great at providing the “wow factor,” but I’d have to say the magic is missing in this movie – even the Oscar-nominated score felt like a let down.

While The Hateful Eight is quite beautiful to look at and has some moments of brilliance, it felt like a miss from one of my top 3 directors.

Replay Value: Both of the QT films I didn’t love grew on me later, so I will be watching this again to make sure.
Sequel Potential: I don’t think we will be revisiting these characters.
Oscar Potential: Oscar noms for Cinematography (deserved), Jennifer Jason Leigh (sure), and Score (no).

Grade: 5/10 (Watchable)

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Bridge Of Spies (2015)

December 7, 2015

Starring: Tom Hanks, Mark Rylance, Alan Alda
Director: Steven Spielberg

Bottom Line: Bridge Of Spies took me by surprise. With Steven Spielberg directing, the Coens Brothers writing, and Tom Hanks starring, I’m not sure how this movie snuck up on me, but it did. Maybe it’s because the only Spielberg movie I’ve seen in the past decade was Indiana Jones And The Kingdom Of The Crystal Skull and, well, I think we know how that disaster turned out. Now that’s not to say that Spielberg’s most recent films (War Horse, Lincoln) have been bad, but for whatever reason I just haven’t gotten around to watching them.

I’m happy to report that Bridge Of Spies, at least, is a return to form, as Spielberg takes us into Cold War espionage, with Hanks playing James B. Donovan, an American attorney charged with the unenviable task of representing a Soviet spy in court. Donovan is soon Public Enemy No. 1 when he takes his duties seriously and becomes enamored with the Soviet prisoner, making sure that the captured spy gets the due process that is the right of anyone in America.

I knew nothing of the plot before watching this movie and I was expecting an action flick, so I was pleasantly surprised when it turned out to be a riveting character drama. Hanks is great as Donovan and Mark Rylance made Soviet spy Rudolf Abel so affable it’s easy to see how Donovan’s commitment to his case went beyond a sense of duty and became a task he was proud to see all the way through.

I would recommend Bridge Of Spies to just about anyone. I felt that it had the perfect blend of drama and character building, but I could see how some people might find it slow. I thought it was well paced, sometimes intense, and all around entertaining.

Replay Value: Worth a second viewing.
Sequel Potential: None.
Oscar Potential: It’s early, but I could see this film getting some attention – perhaps in the Best Picture, Best Director, and Best Actor departments. I think Rylance has a good chance at a supporting nomination as well.

Grade: 7.5/10 (Recommended/Must See)

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Straight Outta Compton (2015)

August 20, 2015

Starring: O’Shea Jackson, Jr., Corey Hawkins, Jason Mitchell, Paul Giamatti
Director: F. Gary Gray (Friday, Set It Off, The Negotiator, Law Abiding Citizen)

Bottom Line: I can still remember when my mom took my Dr. Dre The Chronic CD in disgust and hid it from me all the way back in 1993. I can also remember her driving me to Blockbuster Music to buy Snoop Doggy Dogg’s Doggystyle just a year or two later. Go figure. Regardless of how ambiguous my parents were about whether or not I should be listening to gangster rap music when I was just becoming a teenager, they made one thing abundantly clear: rap was crap and there was no way it would last. Well, it’s 25 years later and not only has hip-hop become one of the most financially lucrative genres of music in the entire industry, but we are getting Straight Outta Compton, a biopic detailing the rise and fall of the pioneering rap group N.W.A. – a movie that is generating early Oscar buzz from a group of voters that probably used to make my parents look like radicals.

I loved it. As a hip-hop aficionado, Straight Outta Compton felt like a gift from F. Gary Gray given specifically to me. It’s an epic picture that covers the formation of N.W.A., a group consisting of MC Ren, DJ Yella, Easy E, and two entertainers that are still superstars today, Dr. Dre and Ice Cube. From their humble beginnings coming from next to nothing in the ghetto of Compton, California, to their rise to the pinnacle of hip-hop while becoming public enemy #1, to the fragmentation of the group due to contract and payment disputes, to on record beefs with Ice Cube after he left the group, all the way up to Dre’s time with Death Row Records and Easy E’s tragic death due to HIV, Straight Outta Compton misses very little in the retelling of N.W.A.’s story.

Maybe it was because the Biggie Smalls biopic Notorious left such a bland taste in my mouth, but for whatever reason, I had little expectations for Straight Outta Compton up until I saw its first trailer and saw how authentic everything looked. The casting seemed solid and the idea of using Ice Cube’s son O’shea Jackson, Jr. seemed like a stroke of brilliance to me. Let’s just hope he can act! And boy can he. At least as his dad, which might not be the biggest stretch of his now promising career. He channeled Ice Cube so well and looked so much like his father, that it really feels like you’re watching a young Cube play himself in the film. It’s a remarkable performance. Jason Mitchell was stellar as Easy E and the rest of the supporting cast was solid as well. Corey Hawkins as Dr. Dre was the only actor in the main cast that I didn’t love. He wasn’t exactly a dead ringer for a young Dre and there were a couple moments in the film where I actually winced at some of his acting. All in all though, the cast really brought this story to life and I was impressed with how genuine it felt. There were plenty of intense scenes involving encounters with police, other rap figures, gangs, good ole Suge Knight, and, sometimes, each other. Perhaps the best sequence in the film is when Ice Cube embarks on his solo career and the group makes a subliminal remark about him, sparking him to respond with his classic “No Vaseline” – and then watching as the remaining N.W.A. members and their entourage react as they listen to it for the first time. It’s comedy gold.

Now, while I was super impressed with Straight Outta Compton it was hard not to notice some inconsistencies as someone that grew up during the late 80s and early 90s. First, in the great opening sequence of the film, Easy E is seen trying to evade police during a drug house raid in 1986 while wearing a Chicago White Sox hat with a logo the MLB team wouldn’t adopt until the early 90s. Also, there’s a scene at Death Row Records where Tupac is seen recording his record “Hail Mary” right before Dre plays him the beat to “California Love.” While this certainly could have happened, it seems unlikely considering that “Hail Mary” appeared on the Makaveli album after “California Love” was released on Tupac’s previous album All Eyes On Me. Also, I couldn’t help but feel that Dr. Dre’s executive producing credit had a direct affect on his portrayal in the film. For one, there was no mention of his assault of female rapper/television personality Dee Barnes. For two, it’s pretty common knowledge in the hip-hop world that Dr. Dre is a studio gangster – I’ve heard rumblings about how “soft” he is for years. Straight Outta Compton paints a pretty picture: Dre is seen throwing blows and getting buck on multiple occasions, including getting right up in the face of notoriously scary Suge Knight and telling him he’s leaving Death Row Records. It’s a scene I just can’t imagine ever happened. Suge Knight was, and remains, a completely psychopath, with an affinity for violence and no moral compass. There is no way he let Dr. Dre talk to him like that and walk away unharmed. It just didn’t happen. Finally, the film completely skips past the on record beef between Easy E and Dr. Dre, which seems like a pretty substantial part of the N.W.A. story.

Still, those are small nitpicks and they don’t bring down the quality of the film at all. Straight Outta Compton was a total thrill ride. As a huge rap fan growing up, this movie was like eye and ear candy to me. There are tons of references to songwriting and performances of classic N.W.A., Ice Cube, and Dr. Dre songs. I enjoyed almost every minute of it’s absurdly long (yet seemingly too short) running time. It’s an absolute must see for hip-hop fans, but I also think it has a broader appeal since it’s such a great movie. In fact, I think I’ll be going out of my way to recommend it to my mom and dad, and you know what, they’re going to love it.

Replay Value: It’s a must own for me.
Sequel Potential: None. (Edit: Apparently I spoke to soon. While there probably won’t be a direct sequel, the success of this film already has the industry rumbling about a biopic detailing the rise of Snoop Dogg, Warren G, Nate Dogg, and the Dogg Pound.)
Oscar Potential: This is where it gets interesting. My initial feeling after watching Straight Outta Compton was that it was my favorite movie of the year so far. Then I started wondering if other people, like potential voters, might feel the same way, and early reviews and buzz has this movie receiving some consideration. I think the actors playing Ice Cube and Easy E could be seen as long shots for acting noms, and the movie itself should have at least an outside chance at a Best Picture nomination… of course, with those kinds of possibilities, also comes possible nominations for directing, cinematography, writing, and various other technical aspects. It will be curious to see how things develop as, right now, Straight Outta Compton doesn’t have a lot of stiff competition just yet.

Grade: 8/10 (Excellent)

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The Gift (2015)

August 10, 2015

Starring: Jason Bateman, Rebecca Hall, Joel Edgerton
Director: Joel Edgerton

Bottom Line: The Gift is a surprisingly solid thriller from first time writer/director (and co-star) Joel Edgerton. Jason Bateman and Rebecca Hall play a seemingly normal and happy couple buying a new home in his old home town only to have things turned upside down when an odd man from the husband’s past (Edgerton) shows up with an unhealthy fascination with getting involved in their lives. It’s a pretty simple plot that is unraveled masterfully by Edgerton in his feature film directorial debut. The Gift is the ultimate slow burn – at times it can feel like the pacing is snail-speed, but it’s all worth it, as there’s an undeniable tension throughout the film, even during scenes of what seems like banal dialogue. For a movie with very few obligatory scare moments – there is one scene that made the entire theater jump in terror and then laugh at how silly we all are – The Gift is patently chilling.

It’s refreshing to see Jason Bateman play against type in The Gift. While he provides some moments to chuckle at, his character is no comedian and his dramatic, sometimes mean, performance is pretty impressive. Even though Bateman gets top billing, Rebecca Hall is quite obviously the film’s star and her performance is top notch. She shifts gears with ease and displays a wide range of emotions throughout the film; this is a fully realized character with an acting job to match. Joel Edgerton is wonderfully mysterious and creepy as the old schoolmate, but his work off the screen as writer and director is what he should really be praised for.

I thought The Gift was going to be in the horror genre, but it’s clearly in suspense/thriller territory. Though my expectations were dramatically raised by strong reviews by the time I watched it, The Gift is a very pleasant surprise for 2015. Several months ago, I would have never guessed I’d even want to see this movie. It’s certainly worth the overwhelmingly positive praise it’s been receiving and gets a strong recommendation from me.

Replay Value: I would watch it again because it was good, but a lot of the film’s strength is based on the suspense of not know what’s going to happen.
Sequel Potential: There is some remote chance of a sequel, but I think it would be a bad play.
Oscar Potential: Rebecca Hall gives a strong performance, but it would surprise me to see this type of movie get awards attention.

Grade: 7/10 (Must See)

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Trainwreck (2015)

August 3, 2015

Starring: Amy Schumer, Bill Hader, Lebron James, Brie Larson
Director: Judd Apatow (Knocked Up, The 40 Year Old Virgin, Funny People)

Bottom Line: Trainwreck is comedian Amy Schumer’s first starring role and she quickly establishes that she can carry her own comedy. More impressive, she wrote the film herself and it’s plenty funny while providing an entertaining narrative. In the film, Amy plays a 20-something career girl that was taught by her father that a life of monogamy is unrealistic, so she spends her nights bar-hopping and bringing various men home only to send them on their way before they can even think about sleeping over. Through her job, she meets a sports surgeon played by Bill Hader and they develop a relationship unlike any she’s experienced before.

I have to say I was impressed with the cast in this movie. I wasn’t surprised at all that Amy Schumer was funny and likable even though her character had some rather despicable traits. I could tell by watching her stand up that she has plenty of charisma and that she could be a rising comedic star. Trainwreck proves this fact. It will be interesting to see if she can keep the ball rolling, as a lot of comic actors have a tendency to wear out their welcome rather quickly (does anyone still look forward to a Will Ferrell movie?). What did surprise me was Bill Hader, who really seemed to have only one gear during his Saturday Night Live tenure and I never was a big fan of his style on the show. He plays it rather straight in Trainwreck and it’s a nice change of pace. Hader actually has some acting ability – and he still managed to be pretty funny. What surprised me more than anything was how awesome Lebron James was in his role. Granted, most of the credit should go to Schumer for writing LBJ a great role, but Lebron hams it up wonderfully without being so tongue-in-cheek that he comes across corny. He crushed it and his appearances on screen were the best parts of the movie, which is unfortunate because he mostly disappears during the second half.

Like most Judd Apatow movies, Trainwreck runs unnecessarily long, which makes it feel like it’s dragging at times, but Trainwreck is his strongest film since 2007’s Knocked Up. It provides just enough humor and drama to give the audience a genuine investment in the film’s story. Trainwreck is a solid step in the right direction for Apatow and a coming out party for Schumer and Hader. I’m looking forward to what everyone involved has in store for the future.

Replay Value: I will watch it again, for sure.
Sequel Potential: No spin offs for bit characters please.
Oscar Potential: I was impressed with Bill Hader but this isn’t the kind of movie that the academy will think about or remember.

Grade: 6.5/10 (Recommended/Must See)

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Ant-Man (2015)

July 31, 2015

Starring: Paul Rudd, Evangeline Lilly, Michael Douglas, Corey Stoll
Director: Peyton Reed (Yes Man, The Break-Up, Bring It On)

Bottom Line: When Edgar Wright (Shaun Of The Dead, Scott Pilgrim Vs The World dropped out of directing Ant-Man, I have to say my hopes for the film decreased drastically. I’m happy to report that Peyton Reed’s Ant-Man is a nice surprise and a great addition to the Marvel Cinematic Universe. It probably didn’t hurt that Wright stayed on as a screenwriter and executive producer, thus having a say in keeping his original vision somewhat in tact.

Ant-Man stars Paul Rudd as Scott Lang, a convict fresh out of jail, looking to find work and live the straight life so he can be a good father to his daughter. Unable to hold a job due to his criminal past, Lang teams up with a dopey group of robbers for a heist that he hopes can provide him with enough financial security to keep up on his child support. Unfortunately for this group of “wombats,” they are being set up so that Scott can break into a safe and discover the Ant-Man suit, left behind by Hank Pym (Michael Douglas). Hank wants Scott to become the Ant-Man because his old company is now being run by Darren Cross (Corey Stoll), a sketchy guy close to unraveling the secret behind the Ant-Man technology and selling it off to questionable government officials, something Hank has long feared could happen.

Paul Rudd was perfect casting as our reluctant hero. A solid comic actor, Rudd seamlessly steps into the role of superhero while infusing Ant-Man with plenty of laughs. In fact, Ant-Man is even funnier than Gaurdians Of The Galaxy, which I thought was hilarious the first time I watched it. Michael Pena, in particular, really steals the show as one of Lang’s ex-convict/robber friends, providing plenty of the film’s funniest lines and moments. The rest of the supporting cast is decent in their roles.

Ant-Man was more fun than the last Avengers movie and it will be interesting to see how Scott Lang fits in with earth’s mightiest heroes when they inevitably cross paths. I will offer a minor spoiler in saying that an Avenger makes a cameo in Ant-Man and it’s quite easily the highlight of the film.

There is a lot that can go wrong with a superhero whose main abilities are shrinking in size and interacting with ants. Ant-Man balances the absurd with a perfect blend of seriousness and humor. It’s pretty funny to see the film cut away from micro-sized, but intense action sequences and pan out to see what the carnage looks like from a human’s POV – in other words, like a whole lot of nothing. The visuals in the film are well done as technology has come a long way since Honey, I Shrunk The Kids. I thought Ant-Man would be must see in 3D, and maybe it is, but watching it in 3D didn’t really add any wow factor.

Ant-Man is a great entry into the MCU, providing a fun story with plenty of good action and tons of comedy.

Replay Value: Definitely worth seeing again but it will be interesting to see how well the comedy holds up on repeat viewings.
Sequel Potential: Ant-Man will probably make multiple appearances in other Marvel movies before appearing in his own sequel.
Oscar Potential: Possibly some visual effects attention.

Grade: 7/10 (Must See)

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Predestination (2014)

July 22, 2015

Starring: Ethan Hawke, Sarah Snook, Noah Taylor
Director: The Spierig Brothers

Bottom Line: I’m not going to lie: this sci-fi, futuristic time traveler made my head spin… with joy. Predestination is chock full of wonderful twists, turns, and time travelling paradoxes. Ethan Hawke plays a time-jumping Temporal Agent whose job is to prevent future killers from ever getting a chance to commit their crimes. On his latest assignment, he’s posing as a bartender when he runs into a customer (Snook) that promises to tell him the best story he’s ever heard. “His” tragic story of abandonment, lost love, and gender reassignment sets the stage for a series of surprises and a mind-bending journey through time.

Predestination requires one’s full attention. It’s not the kind of movie where you can multitask and get the full experience. If you blink, you might miss a crucial plot development. The first couple twists are pretty surprising, but eventually it’s pretty easy to guess what is coming – although that doesn’t make it any less fun. This movie breaks pretty much every time travelling rule you can think of and it would be very easy for things to get hokey, but the filmmakers take the developments seriously and Predestination totally works despite it’s many potential pitfalls.

I thought Sarah Snook gave an incredible performance in this movie. She’s tasked with a role that is built for award season yet somehow Predestination has been overlooked by pretty much everybody. It’s one of the better performances in all of 2014 – a true can’t miss.

Predestination just might wind up a cult/genre classic. It’s a riveting story with a knockout performance from Snook and a far more entertaining 2014 Ethan Hawke film than the overrated Boyhood which somehow got showered with all the awards attention. It’s a must see for sci-fi fans and I’d strongly recommend it to everyone else too.

Replay Value: A second viewing is probably required.
Sequel Potential: This should be a one and done.
Oscar Potential: Sarah Snook was certainly robbed. Really makes me wonder if this will be considered a 2015 film.

Grade: 7/10 (Must See)