Check out my profile on Letterboxd if you want to follow along as I write my reviews throughout the month and also because the site/app is amazing for film lovers. April was a pretty sad month because of the pandemic. Theaters are closed all throughout the United States and movie studios are pulling all their films from their original release dates. Even when theaters reopen to the public, they are talking about selling out at 50% capacity and what studio is going to want to release their tent pole films in a climate like that? I’m really curious when the next time I watch a new film in theaters will be.
Onward (2020, Disney+)
Pretty cool of Disney to release this on their streaming platform less than a month after it came out in theaters (shoutout to Covid-19). I can’t say Onward is top tier Pixar, but it was plenty good and managed to tug at my emotions like pretty much all their movies do. Amazing animation, solid voice work from Chris Pratt and Tom Holland, and enough laughs to keep me entertained the whole time. Not Pixar’s strongest work, but their middle tier is still really good stuff.
7/10 (Highly Enjoyable)
Tiger King: Murder, Mayhem, and Madness (2020, Netflix, Documentary)
Crazy stuff, but wildly entertaining. I don’t think it’s an all-time great documentary, but it was definitely a lot of fun. All the major players are scummy though. Does anyone that watched this actually think that Carol Baskins is an animal rights hero?
Probably a must see documentary, but I’m going to rate it just a notch below that.
7/10 (Highly Enjoyable)
Bombshell (2019, Netflix Blu-Ray rental)
I’m not even remotely into politics and I spend none of my time watching news coverage, so my knowledge of the FOX News infrastructure and its relationship to the various political parties is nonexistent, but that didn’t stop me from enjoying Bombshell. This movie is more about sexual harassment than politics anyways. In fact, these women bringing down FOX CEO Roger Ailes was the first domino in what eventually became a movement that sparked the Me Too hashtag. I think that story is well told here and shows the struggle of fearing those in power and wanting to protect your career or… calling a public figure a monster.
Looking at pictures of Megyn Kelly on Google images, I can see why Bombshell won the Oscar for makeup and hairstyling. Theron is virtually unrecognizable here, but she looks exactly like Megyn Kelly. It’s uncanny. John Lithgow also looks like he spent a lot of time in the makeup chair.
This movie had some great acting from pretty much everyone. Theron and Robbie were both Oscar-nominated with Robbie giving the best performance of the movie, in my opinion. Lithgow is also at his slimy best and I’m a bit surprised his role didn’t get more attention. This movie has a strong supporting cast as well.
Bombshell is well acted and entertaining and definitely worth a watch.
7/10 (Highly Enjoyable)
Jumanji: The Next Level (2019, Netflix Blu-Ray rental)
This review may contain spoilers.
Well, this series jumped the shark pretty quick. I actually liked the first reboot sequel and was pleasantly surprised by it. I thought it was a fresh, modern take and I liked the cast. But this? I was tuned out within 30 minutes, already wishing it was over, and there was 90 minutes left! Why is a Jumanji movie 2+ hours??
Anyways, the climax of this movie takes place on an ice fortress… and there’s a blimp… and a flying horse. Remember when Jumanji was a board game about jungle animals? I guess the more sequels you make to something like this, the further away from the original concept you have to get to keep things interesting. Well, consider me uninterested.
There are a couple of funny parts in this, but I’d be lying if I said this wasn’t painful for me to watch.
3/10 (Bad)
Personal Shopper (2016, iTunes Store digital rental)
This is another one of those times where I go into a movie knowing nothing about it except that at some point in time something sparked me to put it on my watchlist… probably some best films of 2016 lists. A movie about mediums, the afterlife, and ghosts was about the last thing I was expecting and the content kind of knocked my socks off. I wouldn’t go as far as to call Personal Shopper riveting, but it was compelling and never lost my interest despite the fact that it is a really slow burn and Kristen Stewart’s character spends a good portion of the running time shopping, trying on clothes, and sending text messages. Speaking of which, did it drive anyone else nuts that she put a space in between her sentence and the question mark ? Like that ? Every single time.
I am not a Kristen Stewart fan at all. Prior to watching this, I had seen seven movies she’s been in and five of them have been part of the miserable Twilight franchise – movies I’ve seen because my wife wanted me to watch them with her. I’m on record calling Bella Swan one of the worst characters of all-time, so my distaste for Kristen Stewart is not much of a surprise and probably not even fair to her as I’ve seen less than 20% of her filmography. Well, this is easily the best work I’ve seen from her. She’s good in this movie!
Personal Shopper is unique, with a strong performance from Stewart and some surprisingly cool visual effects. I enjoyed it quite a bit and recommend to anyone that’s into ghost stories and doesn’t mind a deliberate pace.
7/10 (Highly Enjoyable)
Tusk (2014, Netflix)
I’m trying to think of anything at all that I liked about this movie and I’m coming up empty. I guess the, uhm, “walrus” makeup/costume was… interesting? Also grotesque. Possibly appalling. Kevin Smith just sucks now. I was a pretty big fan up through Jay and Silent Bob Strike Back, but I’m pretty sure I wouldn’t be impressed with that movie in 2020 and the only film I’ve enjoyed of his over the last 20 years was Zack and Miri Make a Porno. That’s a long stretch of crap. Granted, I’ve skipped almost all of it, but I trust the word of mouth. Still, Red State comes to a streaming service in April 2020 and I have the Jay and Silent Bob reboot on my watchlist, so I’ll probably watch both of those eventually. This is the kind of stuff I throw on late at night when I feel like I can stay up for another 20 minutes or so and then I watch it over the course of a few days because I don’t want to show that kind of disrespect to a movie I actually want to see.
One more thing, Johnny Depp is brutal. What happened to him? There was a point in time where I thought he was one of my favorite actors working and now I can’t stand the guy. He tries so hard to create unique and weird characters and lately he’s been failing miserably. His character here seems like something Sacha Baron Cohen would try to make a movie out of and Hollywood is like, “uhm, no.” Depp is no longer a draw for me… he’s an autoskip.
2/10 (Horrible)
Crystal Lake Memories: The Complete History of Friday the 13th (2013, YouTube)
I rated this documentary higher than any film in the actual franchise, but I guess it makes sense. This is 5+ hours of awesome interviews, behind-the-scenes stories, and unreleased (and cut due to MPAA wimpiness) footage from a franchise I’ve loved since I was… wait, let me look up when Jason Lives was released… 5 or 6 years old? I remember my first exposure to Jason Vorhees being that opening scene from Friday the 13th VI: Jason Lives when he’s brought back from the grave (literally) and maggots and worms are crawling around on his face. I watched it on home video… at a neighbor’s house… so I’m guessing it was probably a year or two after its theatrical release. I’ve been in love with the franchise ever since and I still watch them periodically and hope they never stop making them, no matter how bad some of them are.
This is a must see for anyone that’s a fan of the Friday the 13th franchise. It’s super long, but if you’re like me, you’ll enjoy every minute of it.
Not recommended for non-fans obv.
The only place I could find this documentary was on YouTube. Check it out.
8/10 (Must See)
Locke (2013, Netflix)
98% of this movie is Tom Hardy driving in a car and talking on his mobile phone via bluetooth. If that sounds awesome to you, well… you’d be right! Ivan Locke is a construction foreman on the eve of the biggest cement pour in European history when he receives a voicemail from a woman he had a one night affair with and learns that she is giving birth to his child. The rest of the movie is Hardy talking in an amazing Welsh accent while trying to coordinate the job he won’t be attending the next day and telling his wife the bad news.
For a film with one actor that takes place entirely in a car, I was kind of blown away. It doesn’t hurt that Tom Hardy is that actor because he can be absolutely brilliant and I think he’s on that level in Locke. The movie actually has some top level supporting talent in Olivia Colman, Andrew Scott, and Tom Holland, but they all phone it in. Literally.
I wish Tom Hardy wasn’t doing Venom. I wish he was doing more stuff like this. He is elite.
8/10 (Must See)
Watchmen (2009, personal collection, third viewing)
I already posted a review for this over ten years ago, but the HBO series has made me revisit both the graphic novel and this 2009 film adaptation. I heard I would appreciate the HBO series substantially more if the graphic novel was fresh in my mind and I decided I might as well watch this movie for the third time.
I actually don’t think the acting is as bad as I thought it was a decade ago. For instance, Jeffrey Dean Morgan and Patrick Wilson are actually pretty good casting as The Comedian and Nite Owl, respectively. The only choice I truly didn’t like was Matthew Goode as Adrian Veidt. I just don’t buy him as “The Smartest Man in the World” and his confidence just comes across as phony to me. Jackie Earle Haley is great as Rorschach. Not only is his portrayal top notch, but when he’s unmasked, he really does look exactly like the Walter Kovacs from the graphic novel.
This is such a faithful adaptation. It’s basically a scene-for-scene translation and so much of the dialogue is lifted unaltered directly from the comic. And yet… something is off. I said in my previous review that this movie has a bit of a “hokey” feel to it. I don’t know if I can explain it any better now, but I just watched the first episode of the HBO series (which I will write about when I’m done watching all of it) and the difference in quality is stark. This movie is cheesy by comparison. Maybe I just hate Zack Snyder’s style?
Fans of the graphic novel shouldn’t be too disappointed with this movie – it’s definitely enjoyable – but I’m much more interested in what the HBO series has to offer myself.
6/10 (Recommended)
Out of Sight (1998, HBONOW, second viewing)
I’ll probably end up doing a run through of Steven Soderbergh’s entire filmography at some point, as I’m doing with Scorsese now, but I’ve been itching to rewatch Out of Sight and it’s leaving HBO NOW at the end of the month.
This is a really fun movie. The sharp banter and charismatic characters – especially George Clooney’s Jack Foley – make watching it a really enjoyable experience. You can see the Soderbergh style that became so popular in the Ocean’s 11 trilogy. Speaking of which, I’ve missed Clooney. He’s underrated as a leading man and I haven’t seen a new movie he’s starred in since Gravity in 2013. J-Lo and Clooney have great chemistry in this movie and I think that’s probably the biggest reason this film works so well.
I only remembered one thing about Out of Sight: the scene where something really surprising happens to a rather minor character. I’m sure if you’ve seen the movie, you would know what I’m talking about. Maybe that scene has stuck with me all these years because I referenced it in my music some twenty years ago.
Smart, funny, and fast-paced, with strong lead performances from Clooney and Lopez, Out of Sight was a solid revisit and one of the better films in Soderbergh’s catalog.
7/10 (Highly Enjoyable)
Tootsie (1982, Netflix)
Tootsie got an astounding 10 Oscar nominations, including Best Picture, Best Director for Sydney Pollack, Best Writing and acting noms for Dustin Hoffman, Jessica Lange, and Teri Garr. Alas, only Lange was able to take home a statue for her supporting role.
I thought this was great. Dustin Hoffman is wonderful in one of the best performances of his career. I’ve only seen Jessica Lange’s later work, but she oozed natural charisma in the early 80s also. You watch a movie like Sleepaway Camp and see all this horribly corny acting and think that it’s just a reflection of the times (and the genre), but then you watch something like Tootsie – also released in 1982 – and, well, there was probably plenty of great acting happening back then. It’s probably not fair to compare a campy slasher flick with one of the most highly touted movies of 1982, but the contrast is so stark that it makes me wonder if I was just watching all the wrong movies while I was growing up. I just find a lot of the acting from the 80s really cheesy and the performances in this movie are just all so good.
Hoffman’s character gets in really deep pretending to be a woman, finding huge success on a popular soap and becoming extremely close with Lange’s character. I kept wondering how he was going to get out of this pickle and I have to say this film’s resolution was outstanding. I absolutely loved the ending.
Tootsie is a must see film from almost four decades ago. Check it out if you never have!
8/10 (Must See)
Mean Streets (1973, iTunes Store digital rental)
I liked Mean Streets a lot, but I think it falls short of greatness. I do love the soundtrack in this movie though. The song selection is elite and I love how The Marvelettes “Please Mr. Postman” plays during the awesome fight scene in the bar. The soundtrack feels like a great use of classic old school songs, but every song in this movie was 40 years fresher when it came out! Robert De Niro is absolutely fantastic in this movie. He’s completely unhinged as the wild and constantly disrespectful Johnny Boy. I’m not sure I’ve ever seen De Niro so loose in his whole career, but it’s been a while since I watched Taxi Driver. He’s just wonderful and you have to wonder how he didn’t get an Oscar nomination. I’m tempted to watch all the roles that got nominated over him and see how wrong they got it (I actually did add 1973’s Bang the Drum Slowly – also starring De Niro – to my watchlist).
Mean Streets was a lot of fun. You can see Scorsese getting his feet wet here with the mafioso type content he would eventually become famous for with Goodfellas and Casino. The characters and story are just so much better in those later films. This is a good movie though and I actually strongly considered watching it again before my 48 rental period expired. I can see myself revisiting it when I get through the rest of Marty’s filmography. Mean Streets is a huge leap forward from Scorsese’s first two films, but I’m still hesitating to call it his first great one. Maybe I’ll change my mind the second time I watch it.
7/10 (Highly Enjoyable)
Boxcar Bertha (1972, iTunes Store digital rental)
Martin Scorsese’s second feature film doesn’t establish him as a future great, but I thought it was fun, despite some issues I had with it – mostly what seems to be a serious passage of time that goes almost entirely unaddressed. I’m not sure what kind of movie this is. A western? Reviews I’ve read have called it an exploitation film. There’s a lot of harmonica in it. It’s also supposed to be a revenge movie, but I’m not sure how well that revenge was realized. David Carradine (the future Bill of Kill Bill) is charming in his role. Barbara Hershey is naked a lot in this movie which is kind of weird because she looks 15 years old (she was 23 or 24). She does a fine job acting though.
I don’t think Boxcar Bertha was necessarily a good movie, but I enjoyed watching it. This film is not one you have to see in Scorsese’s catalog unless you want to watch them all… like I do.
5/10 (Decent)
The Bat Cave 