Posts Tagged ‘viola davis’

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Lazy Movie Reviews: Into the Spider-Verse and more!

December 19, 2018

Spider-Man: Into the Spider-Verse (2018) – I absolutely loved it. Everything in this movie is so well done – from the story to the animation to the voice acting (especially Nicholas Cage). It’s all top notch. I thought there might be potential for things to get really convoluted with merging universes and multiple Spideys but it’s easy to follow and all the various characters give us reasons to care about them. This movie also had me laughing pretty much from start to finish and the story actually packs quite the emotional punch. It’s not just a strong animated movie… it’s one of the best movies of the year. Period.

8/10 (Must See)

Creed II (2018) – A decent follow-up to the first Creed but doesn’t pack nearly the same emotional punch. Still, for the 8th installment in the Rocky franchise, one can hardly complain. If you’ve enjoyed the story up to this point, this is more of the same.

5/10 (Decent)

Fantastic Beasts: The Crimes of Grindewald (2018) – This is the worst thing J.K. Rowling has ever written – that I’ve read or seen (I have not read her books for adults). I thought the first Fantastic Beasts was decent enough, although a far cry from the quality seen in the Harry Potter movies. My problems with the sequel are the same as the first movie, only much worse this time around. The characters in these movies are just so brutally hollow and uninteresting. The story is extremely weak here and the pacing is unreal slow. Creedance Bareback is one of the worst villains ever. Wait, is he a villain? Who knows. Who cares? Johnny Depp brings absolutely nothing to the role of Grindewald, but I did think Jude Law was fine as a younger Dumbledore. The creatures play a much smaller role in this movie and that’s a shame because they were the best thing about the first one. My interest level in this franchise has gone from middling to hanging by a thread

3/10 (Bad)

Widows (2018) – A captivating thriller with surprising twists and real world relevancy, plus top notch performances from Viola Davis and Elizabeth Debicki. One of the more enthralling movies of the year.

8/10 (Must See)

Mid90s (2018) – A nostalgic trip through my early teen years. This movie was like reliving my past, albeit without the actual skateboarding. From idolizing kids that are only a few years older (or in my case, the same age) to trying drugs, alcohol, and girls for the first time, this is a coming of age flick for kids that grew up in… the mid90s.

7/10 (Highly Enjoyable)

Overlord (2018) – I’m not sure I’m on board with calling this a B-movie as the special effects and cinematography were pretty good.
The actors are mostly unknown, but I didn’t think there was anything overly cheesy going on here. It’s a fun super-serum fueled zombie flick with Nazis as the bad guys.

6/10 (Fun)

The Christmas Chronicles (2018, Netflix) – I probably wouldn’t have watched this without seeing a strong recommendation from someone I knew. It is a welcome addition to the existing library of fun Christmas movies. This one gives Santa an upgrade in abilities and Kurt Russell is surprisingly great hamming it up as our favorite holiday folk hero.

6/10 (Fun)

To All the Boys I’ve Loved Before (2018, Netflix) – I’m not sure how it happened, but this movie charmed my pants off. Wait. That sounds bad. The movie doesn’t start strong and the event that gets things rolling is a little dumb, but once the two leads start interacting with each other I think it gets quite good, as long as you can get past the fact that these are stupid teenagers acting like stupid teenagers.

6/10 (Fun)

Mandy (2018) – This movie was a total trip. If you ever wanted to drop acid and watch a movie… this would be a good film to go with. It feels like a mash-up of Hellraiser and Mad Max with a sprinkle of Evil Dead and a Nicholas Cage hell-bent on bloody revenge. Plus it has some funky camera work and cool music. Mandy gets a very strong recommendation from me, but you have to have an open mind and a thick stomach.

7/10 (Highly Enjoyable)

Incredibles 2 (2018) – We had to wait 14 years for this? As a huge fan of the original movie, I was really disappointed with this sequel. With such a long break in between films, you’d think they could come up with a more interesting story. I had the villain pegged the first time I saw them. In fact, I thought it was so obvious that I probably had to be wrong. Nope. Jack Jack the baby is easily the highlight of the movie. The rest of the main characters, aside from Elastigirl, aren’t given much room for growth. This movie isn’t nearly as funny or as charming as the first. Aside from the Toy Story movies and Finding Dory, Pixar has mostly fallen flat with their sequels.

5/10 (Decent)

Ant-Man and the Wasp (2018) – This was a massive disappointment for me. I liked the first movie and this sequel seems to bring nothing new to the table. This movie isn’t nearly as funny as it wants to be and while I won’t call it outright bad, it was pretty boring and unmemorable.

4/10 (Forgettable)

Solo: A Star Wars Story (2018) – I enjoyed it, but I wasn’t expecting much. I would have been less surprised if this sucked than if it was really good. It has been a couple of weeks since I saw it and nothing really stuck with me, so that says something. I thought dude playing Han did an fine, but unremarkable job. There were some easter eggs for franchise fans, but there was probably a ton of stuff that this semi-fan missed. I imagine Star Wars will be mostly pleased, but this was nothing special.

5/10 (Decent)

Replay Value: Into the Spider-Verse, Widows and Mandy are movies I’d happily watch again right now. Mid90s is worth seeing again. To All the Boys I’ve Loved Before and The Christmas Chronicles have some replay value, but the rest of these movies I’d never need to see again.

Sequel Potential: Into the Spider-Verse should definitely get a direct sequel. Fantastic Beasts, Creed II, and Ant-Man and the Wasp are all part of ongoing franchises. Solo is a spin-off that will probably get its own sequel. I would imagine Widows and Mid90s are standalone films. The Christmas Chronices has potential for future films.

Oscar Potential: Into the Spider-Verse is a lock for a Best Animated Feature nomination. I haven’t seen many animated movies this year, but I can’t imagine anything winning the Oscar over this one. I thought it was good enough to warrant some long shot Best Picture consideration, but that isn’t going to happen. The Crimes of Grindewald is on the short list for Best Score, but already whiffed on Visual Effects and Make-Up. I guess it is still a contender for Costume Design. Widows should get Viola Davis another Best Actress nom and some Best Picture consideration. I thought Elizabeth Debicki was worth consideration for her supporting role in the movie, but the competition is looking too stiff for a nomination. Incredibles 2 will probably get a Best Animated Feature nomination because Pixar movies basically always do, but it would have to be a very weak year for it to be deserved. I’ve actually only seen two animated features this year, so I have no idea. Solo: A Star Wars Story and Ant-Man and the Wasp are on the short list for the Visual Effects category.

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Fences (2016)

December 28, 2016

Starring: Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Russell Hornsby

Bottom Line: There is no question that Fences has some of the best acting you will see from any film this year. Denzel Washington and Viola Davis give absolute knockout performances that are both shoo-ins for Oscar nominations and strong contenders to capture the statues. Granted, I haven’t seen most of the award contenders yet, but Washington and Davis give the two best performances I’ve seen this year. They are truly stunning. Totally heartbreaking.

Even though it never specifically places its setting, one can gather from various tidbits of information (i.e. Pennsylvania licence plates, references to Roberto Clemente’s career) that Fences takes place in Pittsburgh sometime in the mid-1950s. Washington stars as Troy Maxson, a garbage man and former baseball star, whose prime passed before Jackie Robinson broke the color barrier of Major League Baseball. His experience has left a bitter taste in his mouth so when his son shows an interest in football he immediately nixes the idea, citing the injustices of the past and ignoring the progress of the present, dismissing athletics as nothing but dead ends and empty dreams for a young black man. Viola Davis plays Troy’s loyal and loving wife of 18 years and the script really does a great job of showing the strength of their marriage while dropping hints that Troy is becoming attracted to another woman.

While watching the film, I thought there was something strange about the way it was being presented. It’s incredibly dialogue heavy and the whole story plays out like a series of long scenes. It’s actually quite noticeable. Upon doing some research, I discovered that Fences was actually a Pulitzer Prize winning play written by August Wilson that has had multiple Broadway runs – including one that starred Washington and Davis in these very same roles. So the fact the film adaptation feels eerily similar to a play actually makes a lot of sense. Most of the criticism I have read for Fences has mentioned how little it deviates from its source material, but even though I noticed a stage-like presentation, it didn’t take away from my enjoyment of the film at all.

What did take away from my enjoyment a bit was the last 30 minutes or so of the film. I felt like it could have ended properly three of four times before it finally did.

Even though it’s almost entirely lacking in action, Fences is a character-based drama that touches on the whole gamut of human emotion. Despite it’s incredibly talky nature, Fences is still riveting and full of surprises. It will entertain you, make you laugh, break you heart, and probably make you cry. Washington and Davis are truly amazing here, but really the whole cast deserves credit for their work – it’s a total acting clinic. Fences is a must see film for the performances alone, but the script does a great job of developing its characters and keeping the audience entranced with captivating dialogue. It does overstay its welcome a bit, but I’d highly recommend seeing Fences at least once.

Replay Value: It’s not the kind of film most people would want to watch over and over again, especially with an ending that drags on forever, but I’d watch it at least once more.
Sequel Potential: None.
Oscar Potential: Washington and Davis are guaranteed Oscar nominations and both of them would be my front runners to win the awards at the moment. There’s an outside chance it could get nominated Best Picture or Best Adapted Screenplay, but I’ll guess it just gets the acting noms.

Grade: 7/10 (highly enjoyable/must see)