Posts Tagged ‘2020 movies’

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2021 Oscar Predictions

April 24, 2021

I thought I was going to complete a bucket list project and watch every single film and short that was nominated for an Oscar this year. I basically went an entire year without being able to do my job, so it left me way more time to watch movies than I usually have. I kicked things into high gear starting in December and cranked out like 25-30 movies a month, but by the middle of April, I still had a handful of films I needed to watch and I wasn’t excited about any of them and poker and baseball started to dominate my time. On the eve of Oscar night, there are six films that were nominated that I haven’t seen. I did watch every international feature, documentary, and short though and that’s something I’ve definitely never done before. Below are my rankings and predictions for every category. I didn’t listen to any of the songs, so I left that category out and despite having a family member that works as an editor on big Hollywood movies Film Editing is the category I understand the least, so I left that off too. Enjoy!

Best Picture

  1. Promising Young Woman
  2. Minari
  3. Sound of Metal
  4. Nomadland
  5. The Father
  6. Judas and the Black Messiah
  7. The Trial of the Chicago 7
  8. Mank

Biggest Snub: Considering they can nominate as many as ten films for Best Pic, I think it’s crazy Soul didn’t a nomination. It was my third favorite movie of 2020 and such a feel good film, I can’t believe it’s not here. Also, I think it’s kind of strange that Thomas Vinterberg got a Best Director nomination but his Another Round didn’t get a Best Pic nom.

Prediction: I would be rather shocked if something other than Minari or Nomadland won. I think Nomadland is going to win, but Minari was a more enjoyable movie to me.

Best Actor

  1. Anthony Hopkins, The Father
  2. Chadwick Boseman, Ma Rainey’s Black Bottom
  3. Riz Ahmed, Sound of Metal
  4. Gary Oldman, Mank
  5. Steven Yeun, Minari

Biggest Snub: Delroy Lindo was so good in Da 5 Bloods that I thought he might have a decent chance at winning and he’s not even nominated. I’d rank him third on that list above.

Prediction: Chadwick Boseman has all the buzz and momentum, but Anthony Hopkins gave the performance of the year in The Father. While a posthumous Oscar would be really cool for Chadwick and his family — and he would be a deserving pick — I still think Sir Anthony gave a better performance.

Best Actress

  1. Carey Mulligan, Promising Young Woman
  2. Vanessa Kirby, Pieces of a Woman
  3. Frances McDormand, Nomadland
  4. Viola Davis, Ma Rainey’s Black Bottom

Haven’t seen: Andra Day, The United States vs. Billie Holiday

Biggest Snub: There were a lot of really good performances from lead actresses last year, but I think the Academy mostly got it right. I thought Rosamund Pike absolutely made I Care A Lot and Zendaya really leveled up in Malcolm & Marie, but I’m not overly shocked neither of them are here.

Prediction: I believe Viola Davis is the favorite, but I think that’s ludicrous. Her screen time is rather limited and it’s not like she was Hannibal Lecter in The Silence of the Lambs good. I’m rooting hard for Carey Mulligan here. She deserves it.

Best Director

  1. Chloe Zhao, Nomadland
  2. Lee Isaac Chung, Minari
  3. Emerald Fennell, Promising Young Woman
  4. David Fincher, Mank
  5. Thomas Vinterberg, Another Round

Biggest Snub: I’ll say Shaka King because his movie got a Best Pic nom while Thomas Vinterberg’s movie did not.

Prediction: It would be a massive upset if anyone other than Chloe Zhao won.

Best Supporting Actor

  1. Leslie Odom Jr., One Night in Miami…
  2. Daniel Kaluuya, Judas and the Black Messiah
  3. Sacha Baron Cohen, The Trial of the Chicago 7
  4. Paul Raci, Sound of Metal
  5. Lakeith Stanfield, Judas and the Black Messiah

Biggest Snub: It’s probably unfair that Lakeith Stanfield is eligible for this category. He was a lead actor in that movie (and so was Kaluuya probably). So he’s stealing someone’s spot and I’d suggest that someone should be Frank Langella in The Trial of the Chicago 7. He had me laughing that whole damn movie.

Prediction: This category is loaded, but Daniel Kaluuya has been sweeping awards season. Lock it up.

Best Supporting Actress

  1. Yuh-Jung Youn, Minari
  2. Amanda Seyfried, Mank
  3. Maria Bakalova, Borat Subsequent Moviefilm
  4. Olivia Colman, The Father

Haven’t seen: Glenn Close, Hillbilly Elegy

Biggest Snub: No one really stands out, but Dominque Fishback in Judas and the Black Messiah is probably the best performance that didn’t get nominated.

Prediction: This category is loaded too. I wouldn’t be mad if any of the top four won, but my favorite performance of the bunch was definitely Yuh-Jung Youn. Anyone that can make you laugh consistently while speaking a language you don’t understand is doing something special. I think she has stolen the momentum away from Seyfried, whom I used to think was a lock.

Best Original Screenplay

  1. Promising Young Woman
  2. Minari
  3. The Trial of the Chicago 7
  4. Judas and the Black Messiah
  5. Sound of Metal

Biggest Snub: Considering how wildly imaginative Soul was, it is crazy that it got snubbed.

Prediction: Sorkin is probably going to win for Chicago 7, but I think Emerald Fennell and Promising Young Woman are drawing live.

Best Adapted Screenplay

  1. The Father
  2. Nomadland
  3. One Night in Miami…
  4. Borat Subsequent Moviefilm
  5. The White Tiger

Biggest Snub: Charlie Kaufman’s I’m Thinking of Ending Things was complete insanity. I’m not sure I liked the movie, but he unquestionably writes on a level that mere mortals are not capable of.

Prediction: Anthony Hopkins is legendary in The Father but Florian Zeller and Christopher Hampton gave him plenty to work with in a brilliant script. I don’t think the script is the best aspect of Nomadland but I actually think it might be the favorite in this category as well.

Best Animated Feature

  1. Soul
  2. Wolfwalkers
  3. Onward
  4. Over The Moon

Haven’t seen: A Shaun The Sheep Movie: Farmageddon

Biggest Snub: I’ve actually only seen the nominated films. I loved the first Croods movie so I’m a little surprised that its sequel got beat out by Over The Moon and Shaun The Sheep.

Prediction: Wolfwalkers was great, but Soul should have been a Best Pic nom and will win here easily.

Best Documentary Feature

  1. My Octopus Teacher
  2. Time
  3. Collective
  4. Crip Camp: A Disability Revolution
  5. The Mole Agent

Biggest Snubs: Dick Johnson is Dead and Boys State feel like massive snubs. They’d both crack my top 5 easily.

Prediction: My Octopus Teacher blew my mind because its subject is so amazing and I think it’s unbelievably cool that they were able to catch that relationship between man and sea creature on film but… Collective and Time are far more poignant — one of those two are almost certainly going to win and I’ll say Time takes home the Oscar.

Best International Feature

  1. Another Round
  2. Quo Vadis, Aida?
  3. Collective
  4. Better Days
  5. The Man Who Sold His Skin

Biggest Snub: There’s a Korean thriller I saw on Netflix named The Call. I loved it, but it has gotten basically zero attention anywhere that I’ve seen.

Prediction: Another Round feels like a lock, especially with that Best Director nomination, but Quo Vadis, Aida? was a great movie and should give the Danish submission a run for its money.

Best Cinematography

  1. Nomadland
  2. Mank
  3. Judas and the Black Messiah
  4. News of the World
  5. The Trial of the Chicago 7

Biggest Snub: I don’t think I really liked Tenet much, but it was cool to look at, that’s for sure. Same with I’m Thinking of Ending Things.

Prediction: Nomadland is a virtual lock.

Best Production Design

  1. Mank
  2. News of the World
  3. Ma Rainey’s Black Bottom
  4. Tenet
  5. The Father

Biggest Snub: First Cow probably deserved an Oscar nomination for something and it’s production design was definitely great.

Prediction: Mank feels pretty safe here.

Best Costume Design

  1. Emma
  2. Mank
  3. Ma Rainey’s Black Bottom
  4. Mulan

Haven’t seen: Pinocchio

Biggest Snub: Probably something I haven’t seen, but the guys in One Night in Miami… were looking pretty sharp.

Prediction: Wide open between the top 3, so I’ll go with my #1 in Emma.

Best Makeup and Hairstyling

  1. Ma Rainey’s Black Bottom
  2. Emma.
  3. Mank

Haven’t Seen: Hillbilly Elegy, Pinocchio

Biggest Snub: I can’t say I was a fan of Birds of Prey, but this is something it definitely did well.

Prediction: Well, I didn’t watch 40% of the nominees, but Ma Rainey seems to be a big favoite here.

Best Visual Effects

  1. Tenet
  2. The Midnight Sky
  3. Love and Monsters
  4. Mulan

Haven’t seen: The One and Only Ivan

Prediction: I was pretty mixed on Tenet but the visual effects were A+. This should be an easy win.

Best Original Score

  1. Soul
  2. Mank
  3. Minari
  4. News of the World
  5. Da 5 Bloods

Biggest Snub: I liked the score for Nomadland enough to add the soundtrack to my library on Apple Music and use it for background noise while I meditate… so… I definitely thought it would crack Oscar’s top 5.

Prediction: Soul

Best Sound

  1. Sound of Metal
  2. Soul
  3. News of the World
  4. Mank

Haven’t seen: Greyhound

Biggest Snub: Definitely NOT Tenet.

Prediction: Sound of Metal not winning this category would be insanity.

Best Live Action Short

  1. The Present
  2. White Eye
  3. Feeling Through
  4. The Letter Room
  5. Two Distant Strangers

Biggest Snub: Only saw these five.

Prediction: Before watching these, I thought The Letter Room probably had the best chance simply because Oscar Isaac was the star and it had some buzz, but as you can see above, it was far from my favorite of the noms. I think they were all pretty good and as much as I’d like to see Joey Bada$$ be part of an Oscar win (for Two Distant Strangers), The Present and White Eye are a notch above the competition here.

Best Documentary Short

  1. A Love Song for Latasha
  2. A Concerto is a Conversation
  3. Colette
  4. Do Not Split
  5. Hunger Ward

Biggest Snub: I only saw one other documentary short and I’m fine with its lack of inclusion.

Prediction: This is the first time I’ve seen all five nominees in a shorts category and, honestly, I still have no clue. The only one of these I didn’t thoroughly enjoy was Hunger Ward (and it’s not like that didn’t cover heartbreaking ground). Prior to watching these, I was under the impression that A Concerto was the favorite, but I’ll be rooting for Latasha.

Best Animated Short

  1. If Anything Happens I Love You
  2. Opera
  3. Burrow
  4. Genius Loci
  5. Yes-People

Prediction: I didn’t even enjoy the bottom two on the list and Burrow is at least one full notch below the top two. The visual of Opera was absolutely epic, but If Anything Happens I Love You is the most touching of this lot by a wide margin, plus it’s animation and music are high quality as well. Probably an easy win.

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Wonder Woman 1984 (2020)

December 26, 2020

Director: Patty Jenkins (Wonder Woman, Monster)

Starring: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal

Anticipation Level: Very High

How Was It?

Ugh.  I was really excited for this and it was such a slog.  How are you going to make a Wonder Woman sequel and have Gal Gadot in costume for maybe five minutes in the first hour and 45 minutes?  The narrative moves at a crawl and that’s not how I want my action flicks, especially if the exposition and character development isn’t particularly riveting.  Kristen Wiig’s Cheetah was fine (well, until the final act), but I did not enjoy Pedro Pascal at all.  He’s great in The Mandalorian but his performance as Max Lord here was just hard to watch… and not in a good way.  There were some charming and funny moments (mostly between Gadot and Chris Pine) and the conclusion of the movie was dangerously close to being touching, but I’m struggling to find the positives.  This movie was way too long and bored me for most of its run time.  I’m super disappointed.  I honestly can’t imagine watching this again.  My score below is probably generous.

Replay Value: Very little

Sequel Potential: They had a winning formula going here and I can’t imagine they’d replace Gal Gadot, but this movie was a huge step back. I assume they will keep moving forward with Gadot as Wonder Woman, but DC has plans to shake everything up in the near future.

Oscar Potential: None.

4/10 (Subpar)

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Sound of Metal (2020)

December 18, 2020

Director: Darius Marder (Loot)

Starring: Riz Ahmed, Olivia Cooke, Paul Raci

Anticipation Level: Moderate

How Was It?

This one had my anxiety levels rising from the jump. Imagine suddenly losing your hearing one day. Imagine suddenly losing your hearing when music is your passion and only source of income – not to mention the strongest bond you have with your significant other. It’s difficult and disturbing to watch Riz Ahmed’s character go through all the various stages of grief in dealing with his hearing loss, but we get an immersive glimpse at what that might be like if it happened to us. Ahmed gives the best performance of his career and will be a strong contender for a Best Actor nomination. Sound of Metal is possibly the best movie I’ve seen this year and it’s really sticking with me. I wouldn’t mind re-watching it again relatively soon. It’s heartbreaking and the most powerful movie I’ve seen that was released this year. After sitting on it for a few days, I’ve decided Sound of Metal is the first must see film of 2020. It’s streaming on Amazon Prime now so check it out ASAP.

Replay Value: I didn’t think so at first, but the more I’ve thought about this movie the last few days, the more interested I am in watching it again sooner rather than later.

Sequel Potential: None.

Oscar Potential: Riz Ahmed should be in the Best Actor mix and I expect this to be one of the ten or so movies that get a Best Picture nomination. I suppose a Best Pic nom means it’s also a fringe contender for screenplay and directing. The use of sound in this movie was pretty interesting, so maybe there’s a nomination in there, but I’m not sure if it would be for mixing or editing.

8/10 (Must See)

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Tenet (2020)

September 4, 2020

Director: Christopher Nolan (The Dark Knight trilogy, Interstellar, Inception, Memento)

Starring: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh

Anticipation Level: High

How Was It?

Christopher Nolan is smarter than the rest of us and he wants everyone to know it. Sure, he’s done plenty of high concept films before (Memento, The Prestige, Inception, Interstellar), but in all of those movies the plots are relatively easy to follow and you know who the characters are and why they are doing what they are doing. Tenet? I’ll be damned if anyone can honestly say they know what the hell is going on in this movie the first time they watch it. Things are complex enough as it is, but Nolan has made a habit of drowning out the dialogue with extraneous noise in his last couple of films (see also: Dunkirk) and when that dialogue is needed to explain critical plot points, it makes Tenet pretty much impossible to follow. This film would benefit a lot from having subtitles even though it is almost entirely in English.

At some point, I just turned my brain off and tried to enjoy the spectacle. Tenet definitely has some A+ action sequences and plenty of amazing visuals so it scores really high in those departments. This movie will have no issue racking up award nominations in all the technical apsects, although the sound editing and/or mixing is more of a problem than an asset here. The concept of inverting time makes for some really cool moments and some brilliant-looking shots.

I can’t say I cared about any of the characters in this movie so there was no emotional weight to the story during my first watch. It’s hard to say whether that’s a result of things being undeveloped or because I just didn’t get it, but either way, I didn’t feel any type of way about what was happening. I think the acting in this movie is pretty good and that’s not surprising as John David Washington, Robert Pattinson, and Elizabeth Debicki all have good performances on their resumes already. This movie is light on comedy, but Washington still finds a couple of moments to say something funny.

I feel like it’s unfair to give this movie a rating after one viewing considering I didn’t really understand it. I think even if the dialogue wasn’t so hard to hear a lot of the time and I had a better idea of what was going on, I’d still need to do extra research online to really get to the bottom of everything. I’ll eventually do that, but I’m guessing the average moviegoer isn’t too interested in all that. As a result, I expect most people not to like this movie and they will probably dismiss it after one viewing. I’m sure everyone is going to see it anyway (when they feel safe to do so), but I don’t recommend it unless you are okay with being clueless while watching it and spending extra time reading about it later. Tenet is quite easily my least favorite Chris Nolan film after one viewing and with a 150 minute run time, I can’t say I’m super excited to get back in the theater again and figure things out.

Replay Value: Required, but I don’t know how enjoyable it will be.

Sequel Potential: I don’t expect Nolan to make sequels to his original movies.

Oscar Potential: Cinematography, Visual Effects, Production Design, Film Editing, Original Score noms all seem likely. Dunkirk won Oscars for Sound Mixing and Sound Editing but I couldn’t hear the dialogue in that movie either so… I wouldn’t be shocked to see this get Best Picture, Best Director, and Best Original Screenplay noms because it’s a Chris Nolan movie, but not because it actually deserves them.

???/10 (???)

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June 2020 Movie Reviews

July 5, 2020

Check out my profile on Letterboxd if you want to follow along as I write my reviews throughout the month and also because the site/app is amazing for film lovers.

Wow, this is getting a bit pathetic. My movie watching has gone way down. I went two weeks in between movies in the second half of June. I wonder how far I’d have to look back to find a gap that long between flicks? Of course, it doesn’t help that theaters have been closed for four months now. Even worse, my Martin Scorsese project has really lost steam – it’s been almost three months since I watched a movie of his! I’ve had Alice Doesn’t Live Here Anymore at home since April 29th. Yikes! I have just been preferring to watch T.V. shows instead movies when I have the time. Check out my TV Show Ratings page for scores for Dead to Me, The Crown, Hannibal and Ozark.

Long Gone Summer (2020, ESPN+)

I’m a baseball megafan… well I used to be. 2020 is challenging how I feel about the game. I’m not even sure I want a season at this point. But I remember the Summer of 1998, how magical and enthralling it all was, and how it helped restore interest in the national past time after the strike-shortened seasons of 1994 and 1995. It seemed like someone was making an assault on Roger Maris’ 30+ year old single season homerun record on an annual basis and yet it still seemed like some magic number that could never be reached. 61 home runs? Are you kidding me? And then McGwire and Sosa came along in 1998 and not only made a run at the record, but both of them demolished it, with any suspense about whether it was going to happen pretty much erased by the end of August.

I actually have some memory of when I found out McGwire broke the record. I didn’t get to watch it live because I was on a road trip with my high school’s girls soccer team as an acting sports medicine athletic trainer and our bus was stopped at a gas station somewhere.

The whole thing seemed surreal at the time and that’s probably because it wasn’t real. It takes a while for this movie to get to steroid allegations and I don’t think it really asks the hard-hitting questions. Prior to this documentary, Sosa hasn’t publicly admitted to juicing and while he all but confirms he was using PEDs here, he still can’t just come out and say it. Sosa is completely unapologetic for his role in The Steroid Era and maybe that’s something that should be applauded instead of vilifying him while McGwire gets inducted into the Cardinals Hall of Fame. Are any of these guys really sorry that they juiced and put up crazy numbers, made tons of money, and entertained the hell out of us? I doubt it. They are only sorry because they got caught and are faced public scrutiny. You kind of have to appreciate someone like Sosa that doesn’t even bother to pretend like he gives a shit.

I really enjoyed this documentary and as a huge baseball fan, it’s something I’ll probably revisit somewhat regularly. Regardless of how they did it, the Summer of 1998 will always hold a special place in my heart and memory.

7/10 (Highly Enjoyable)

The High Note (2020, iTunes rental)

I liked this well enough. It’s about a passionate music-lover that is a personal assistant to superstar singer but has aspirations of making a name for herself as a producer. This movie largely works for me because of Dakota Johnson and Kelvin Harrison, Jr. I just like what they bring to the table. Both of them have such natural screen presence and likability. Considering Johnson’s biggest role is as Anastasia Steele in the 50 Shades franchise, I didn’t see myself becoming such a fan, but I’ve really enjoyed her in pretty much everything else I’ve seen. Harrison Jr. builds on a breakthrough 2019 that saw him crush his roles in both Luce and Waves with yet another impressive performance – he can sing too! His song “Track 8” from this movie is a really nice song and possibly a certified banger. I think the rest of the music in this movie ranges from decent to good though, so I wasn’t exactly blown away by that aspect of it.

I felt like this movie dropped the ball on the ending. It just didn’t make sense to me and seemed completely unnecessary. It could have had a feel good conclusion without going in such a forced and unbelievable direction. Still, I enjoyed it overall, so I’ll give it a light recommendation.

6/10 (Recommended)

The Greatest Showman (2017, Amazon rental)

I wanted to see this at one point in time but ultimately skipped it with no plans to go out of my way to watch it because critical response was decidedly poor. But a friend of mine listed it as one of his Must See movies and was willing to put his rep on the line over it, despite resounding skepticism from our group chat. I was pretty sure it wasn’t going to be good, but I showed him respect and watched it.

I knew 15 minutes and three songs in that it probably wasn’t going to win me over. It’s not like I have an aversion to musicals – I count Chicago, Moulin Rouge!, Dreamgirls, School of Rock, Frozen and Moana on my list of recent musicals that I really enjoyed. But The Greatest Showman immediately has a campy feel, the songs weren’t impressing me, and the actors didn’t even look like they were actually singing. Obviously, they record the songs separately, but it should still look like the words are coming out of the characters’ mouths.

It gets better. The song performed by Rebecca Ferguson’s character midway through the movie was pretty powerful and there were some other standout songs. Hugh Jackman is always pretty good and that’s the case here. I’m not a Rebecca Ferguson fan but I liked the rest of the cast, even if Zendaya and Yahya Abdul-Mateen are underused.

The Greatest Showman just never pulled me in. It’s all spectacle and no substance. It doesn’t help that it appears to paint P.T. Barnum in an inauthentic light. At least that’s what I’ve read. But I don’t know anything about him, so that didn’t influence my own viewing of the movie.

At best, I’d say this was mildly entertaining, but I wouldn’t recommend it to anyone. You can probably find clips of the best songs/scenes on YouTube and save yourself 90 minutes. Somehow this Must See/Can’t Miss recommendation went 0 for 3 in our group chat. Take that for what it’s worth.

4/10 (Forgettable)

The Edge of Seventeen (2016, Netflix, second viewing)

Originally written December 17th, 2016:

The Edge Of Seventeen is one of the better coming-of-age films I’ve seen in years. Hailee Steinfeld plays Nadine, a high school junior that feels like the whole world is against her, particularly after one of the few people that can relate to her, her father, passes away. Things are really turned upside down when her only friend begins dating her brother. While I can’t particularly relate to Nadine’s story, I do feel like the script paints an accurate picture of what it’s like to be a teenager – from feeling like your parents don’t understand you at all, to thinking of your sibling as your enemy, to making consistently poor decisions… basically, thinking of nobody but yourself. The Edge Of Seventeen features some amazing acting from the whole cast, but it’s no surprise that Hailee Steinfeld gives another performance worth of Oscar consideration. Having just turned 20, with multiple great performances under her belt already, Steinfeld has established herself as the number one actress 20 or younger. I found a lot of the situations in The Edge Of Seventeen to be quite authentic, like how Nadine swoons over the one dimensional guy she doesn’t know because she finds him attractive while putting the nerdy guy she actually relates to on the back burner. Even though I liked Woody Harrelson in his role as Nadine’s teacher, their relationship felt like a bit of a stretch. Do teenage girls ever share their pornographic text messages with their teachers and ask for advice? Especially when said teacher is a man? I’m thinking no.

There was very little not to like about The Edge Of Seventeen. It was interesting, frequently hilarious, and tells a complete story. Plus it features a ton of amazing acting. It’s not quite a must see film, but I found it very enjoyable.

Replay Value: I will enjoy watching it a second time.
Sequel Potential: I think that would be weird.
Oscar Potential: Steinfeld got a Golden Globe nom, but the Oscar buzz has been quieter. I think she’s deserving, but I haven’t seen all the best performances. A SAG snub is a bad sign.

Grade: 7/10 (Highly Enjoyable)

Snowpiercer (2013, Netflix)

What a bizarre movie. Set in an apocalyptic future where all life on earth has become extinct because of a failed solution to global warming. The only survivors are on board a train called the Snowpiercer and what a strange world they exist in. The train is weather-proof and designed to withstand the cold of the Arctic and completes its trek around the world in exactly 365 days so the citizens on board know that everytime they pass a certain bridge it signifies a new year. This movie is from Bong Joon Ho, the writer/director of last year’s Best Picture winner Parasite, and is another commentary on social classes as the people in the back of the train are treated like sub-humans and fed “protein bars” while the people in the front of the train are the acting government and dine on steaks. This is one of the crazier movies I’ve seen in a while and I was definitely intrigued if not exactly enthralled. The art direction in the various train compartments was stellar, but a bit unbelievable. I didn’t love this movie, but it’s definitely worth watching and I’m at least somewhat interested in the T.V. series it has spawned.

6/10 (Recommended)

Harry Potter and the Deathly Hallows: Part 2 (2011, HBOMax, sixth viewing)

This review may contain spoilers.

Azkaban might be the best Potter movie, but this one is probably my favorite. The action is unrelenting and there are a number of scenes that still give me chills:

*Harry returning to Hogwarts and surprising everyone when he walks through the portrait

*Harry’s confrontation with Snape

*Harry going to the woods by himself to die

*Neville’s standing up to Voldemort

*Harry revealing to everyone that he’s still alive

and probably more that I’m forgetting.

The final confrontation with Voldemort left a little to be desired. Pretty much as soon as Harry obtains the Elder Wand, it’s game over. I did love how he called him Tom though. Such a nice touch that I don’t remember being in the books.

This is just such a nice cap to what is an absolutely wonderful film franchise. You have to give the filmmakers and studio credit for keeping the cast together for eight films and it was super cool seeing the kids grow up on screen. Some of them are pretty accomplished actors by the end of it.

This series is iconic. It’s inevitable that they will probably remake it at some point (hopefully not in my lifetime) but I seriously don’t want to see that happen. I think they did an A+ job the first time around.

8/10 (Must See)

Bloodsport (1988, Netflix, fifth viewing?)

This movie is pretty ridiculous with some hilarious acting – especially from JCVD – but I’ll be damned if it wasn’t still a fun watch. Chong Li is one of the more memorable action movie villains from my childhood. I’d guess I’ve probably seen this movie 5+ times but this is my first time as an adult and I still enjoyed it.

6/10 (Recommended)