Posts Tagged ‘kendrick lamar’

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The DAMN. Tour featuring Kendrick Lamar, Travis Scott, and D.R.A.M.

August 4, 2017

Seeing Kendrick Lamar live was an obvious bucket list item for someone that is already hailing him as the greatest hip-hop artist ever, so I had my alarm set for ten minutes before tickets went on sale. I have to say I was worried about my chances since I got shut out on Adele tickets last year even though I was similarly prepared. Somehow the Adele show sold out entirely within seconds of tickets going on sale to the public – something I still can’t wrap my head around to this day. So when I had success with Kendrick tickets on my first try I just snatched up the first seats I saw and hoped for the best (more on that later).

For those of you that have read this post about my recent anxiety issues, it will come as no surprise that I decided to pass on driving myself to and from the Tacoma Dome, so I took an Uber to downtown Tacoma and met up with a friend for dinner before the show.

We managed to get to our seats about 10-15 minutes before show time and amazingly – and unprecedented for a rap show – the lights dimmed at 7:29, one minute before the show was scheduled to start and D.R.A.M. came out to perform with roughly half the stadium still empty. I liked D.R.A.M.’s album and consider myself a fan so far, but my buddy had no clue who he was and I really didn’t care to see him perform live so we mostly just talked through his entire set. The crowd didn’t seem to care too much either as they really only responded enthusiastically when he closed out his set with his most popular track “Broccoli.”

I was excited to see Travis Scott. I consider him to be the absolute best of the mumble rap/autotune guys and his Birds in the Trap Sing McKnight is a clinic on constructing hit songs. Needless to say, I was looking forward to seeing him bring that album to life in a live setting.

At this point, I feel it’s worth mentioning where our seats were located. We were located off to the side of the stage in the upper deck about 15 rows away from the top of the dome. In other words, our seats were total garbage. As an adult that can afford nice things for myself, one of my rules is that I don’t go to live events and sit in crappy seats. What’s the point? If I’m going to go to a game or a show, I’m going to cough up the extra money and sit close enough that I feel involved in the action and can actually see the people I came to watch. In this case, I sort of panicked and bought the first seats that were available. Those damn Adele tickets. I would have happily paid $200ish to sit on the floor and be able to see what was happening on stage.

But we were in binoculars territory and the production didn’t help things by adding a smoky graphic to the monitors and making Travis Scott impossible to see on the big screens as well. And the sound was bad too. I don’t know if it was because of where we were sitting or if the sound was actually bad for everyone, but the music sounded more like angry noise and I pretty much couldn’t understand anything Travis Scott was saying throughout his entire set. The lackluster sound, terrible seats, and useless big screens made Travis’ set far less enjoyable than it should have been. Still, the man has a number of hits and his energy was good, so my enjoyment was hindered by the production and not his music or his abilities. I was kind of surprised when Travis closed with “Goosebumps,” his song with Kendrick, because it almost certainly meant they weren’t going to perform it together. The headliner is just never going to pop out for the first time to do a verse on one of his opener’s songs. Still, “Goosebumps” easily got the best reception from the crowd and the Tacoma Dome was jamming during this song.

Finally, it was Kendrick Lamar time and unsurprisingly Kung Fu Kenny’s set had a martial arts theme throughout. Thankfully, the production decided to skip any visual effects on the screen during Kendrick’s set so you could actually see him on the screen and it’s pretty cool to see an artist genuinely smiling because the audience is fully invested in his music. And it was pretty amazing watching the whole audience moving with the songs and singing along. In fact, when Kendrick did “HUMBLE.” he rapped most of the first verse and then let the crowd finish it off and do the rest of the song acapella. It was quite the sight. Something someone like D.R.A.M. wouldn’t be able to pull off. I can’t even imagine how satisfying it would be to have 20,000 people rapping your lyrics in unison while you just sit there admiring how much all your hard work has paid off. Kendrick did most of the songs off DAMN. and a number of classics off Good Kid M.A.D.D. City. “Did ya’ll remember?” Yes, yes we did. Kendrick’s set seemed to have better (but still not great) sound mixing than the two previous acts, but it was still hard to make out a lot of his vocals. For instance, when he did “Bitch Dant Kill My Vibe” I couldn’t hear the verses at all, which was pretty disappointing because that’s one of my favorite Kendrick tracks. In addition to the DAMN. and Good Kid tracks, he also did a few off untitled/unmastered and To Pimp A Butterfly, most notably “King Kunta,” which absolutely brought the building down. My only complaint about his track selections is that he decided to perform “PRIDE.” and “LUST.” but didn’t do “FEEL.” which is a mortal sin. Nobody pray for him.

Kendrick was a great performer, but our seats and the sound really hindered how much I could really enjoy things. I wasn’t blown away like I have been by past shows and, honestly, I was wondering if I wasn’t getting too old for the whole mass audience hip-hop show. I’m not really one to get too involved physically with the music; I just want to watch, enjoy the show, and mind my own business. And I’m still unsure if the sound issue was a me problem or a whole stadium problem. If it was just me then, well, maybe it’s time to start staying home for these things.

Regardless, it was a fun experience and I was happy to see King Kendrick live even if my seats were crummy and the sound mixing was disappointing.

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April Movie & Music Preview

March 31, 2017

Now that March is over, April provides another slate of new entertainment options, so it’s time for me to give a brief preview of what I’ll be looking forward to next month.

Theatrical Releases: After a strong early start to the year that has already seen high quality films like Get Out and Logan be released, it looks like April is going to be a rather dull month in theaters.

Colossal (April 7th) – I’m not particular interested in this film, but anything that stars Anne Hathaway gets my attention. There’s some sort of monster on the poster and I guess she has some mental problems, but I don’t know anything else about this movie. It might be 2020 before I actually watch it.

The Fate Of The Furious (April 14th) – This has been one of the most surprising franchises of all-time. We are now on movie #8 (and there are two more sequels already announced!) and I don’t even know how many of them I’ve seen up to this point, but I do know that I’ve enjoyed almost all of them and I consider that to be rather shocking. Somehow this series keeps pumping out entertaining flicks, all while keeping it’s core cast together (R.I.P. Paul Walker though). This sequel adds Charlize Theron, Kurt Russell, and Helen Mirren to the mix, while nabbing Straight Outta Compton director F. Gary Gray to run the show. I’m at least one movie behind – maybe two – so chances are I won’t be seeing this in theaters, but with such a slow movie month, maybe I’ll catch up and check it out.

The Circle (April 28th) – Just watched the trailer and it didn’t exactly grab me, but I’m a big Emma Watson fan and Tom Hanks has done pretty good work in recent years when he’s not playing Robert Langdon.

Sleight (some time in April) – Jacob Latimore plays a street musician that may or may not have some sort of superhuman power. One critic described it as “Chronicle meets Iron Man” and the trailer looks interesting enough that it’s on my radar, but again, this is a movie I might not end up watching for a while.

Netflix: In addition to the releases I highlighted last month, Dave Chappelle also released a two part comedy special and it was phenomenal. If you haven’t seen it already, I suggest you make it a priority immediately. Amy Schumer’s special was a total dud – after wondering if I was just being overly critical, I fell asleep during the second half and haven’t had any desire to finish it.

Louis C.K. 2017 comedy special (April 4th) – After watching the Chappelle and Schumer specials, I polled Facebook wondering if there was any comic that has been consistently top shelf for many years and the only answer I got was: Louis C.K. – and I couldn’t argue against it. All his stand up has been fantastic and I’ve really enjoyed the seasons of his show that I’ve seen. No reason not to expect more greatness here.

The BFG (April 6th) – I’m yet to see this Steven Spielberg-directed adaptation of Roald Dahl’s children’s classic, but I will now that it’s streaming next month.

The Get Down season two (April 7th) – I haven’t seen the first season yet, but show about the formation of hip-hop music in the Bronx is obviously something I need to be watching.

Kevin Hart: What Now (April 11th) – I really don’t consider myself much of a Kevin Hart fan – I’ve skipped his last five movies – but I will at least watch his stand up material.

The Secret Life Of Pets (April 22nd) – This movie made a heap of money at the box office and received solid ratings from the critics, plus it features a pretty solid voice cast, so I will be watching it while it’s streaming.

Netflix will also be adding A Nightmare On Elm Street, Gremlins, and Schindler’s List (all classics) on the 1st of April, as well as a Richard Pryor stand up. Two other solid films, Kubo & the Two Strings (April 8th) and Christopher Nolan’s The Prestige (April 21st) will also be added later in the month.

Music: March saw the release of a number of good albums, with Khalid and Ed Sheeran providing my two favorite releases of 2017 so far. Rick Ross and Raekwon both surprised me by releasing albums I’m enjoying.

Kendrick Lamar – “Ya’ll got til April the 7th to get your shit together.” (April 7th) – Sounds like a release date announcement to me. Anyone that knows me knows that Kendrick is currently my favorite rapper by miles. MILES! I have him ranked #6 on my all-time list and with two classic albums, a fantastic mixtape, and a slew of phenomenal guest appearances under his belt already, my expectations for his next album are out of this world. If he can somehow manage a third straight classic, he’s right up there with Jay-Z and Nas as the greatest rappers of all-time IMO.

Joey Bada$$ – All-Amerikkkan Bada$$ (April 7th) – If Kendrick is really dropping an album, this could be an epic weekend of hip-hop as Joey Bada$$ easily makes my list of my top 10 favorite rappers of the moment. His last album was very strong and I’ve liked all the songs he’s released in the past year, so my expectations for this album are pretty high.

The Chainsmokers – Memories… Do Not Open (April 7th) – I don’t know much about this group, but I do know they have a knack for crafting incredibly infectious music, so I will be checking out this album.

Talib Kweli & Styles P – The Seven (April 14th) – Hey, it’s the hip-hop collaboration nobody’s been asking for! There was a time when Talib Kweli was one of my favorite emcees, but it’s been about a decade since I felt that way. Kweli’s released a ton of music since then, but I’ve mostly skipped it and if it was stellar, somebody would’ve told me about it. I’ve never been much of a Styles P fan. With that said, I don’t have to be selective with Apple Music and I can listen to everything, so I’ll give this a chance.

Kamaiyah – Don’t Ever Get It Twisted (April 21st) – Nicki Minaj and Remy Ma are getting all the attention right now, but last year Kamaiyah released the best rap album from a female artist that I’ve heard in years. On the surface, her style seems really simple and her subject matter isn’t groundbreaking by any means, but Kamaiyah makes undeniably good songs. I’m curious to see if she can keep it up and build on the success of her debut album.

Other notable releases scheduled for April include 2 Chainz and Tech N9ne – neither of which I really like – on the 7th, Incubus on the 21st, and Mary J. Blige and Gorillaz on the 28th. I will probably check out the MJB album and skip the rest.