Posts Tagged ‘movie reviews’

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Guardians Of The Galaxy Vol. 2 (2017)

May 8, 2017

Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Michael Rooker, Kurt Russell, Vin Diesel (voice), Bradley Cooper (voice)
Director: James Gunn (Guardians Of The Galaxy, Slither)

Bottom Line: I’m kind of surprised at the overwhelmingly positive reviews Guardians Of The Galaxy Vol. 2 has received because it was kind of disappointing to me and the actual critics have a tendency to be harsher, particularly on popcorn flicks. Don’t get me wrong – it’s not bad. I mostly enjoyed myself while watching Vol. 2, but the biggest reason the first film was so fun was because of how fresh and original it was – and that was made clear when repeat viewings hardly matched the joy of watching it for the first time. The action/comedy hybrid approach still works well here and Vol. 2 is plenty funny – hilarious at times even – but it’s not as funny as it wants to be. There were more than a couple of jokes that elicited no response from the audience. Dave Bautista as Drax The Destroyer really brings the laughs this time around and pretty much any time Baby Groot is on screen, you can’t help but smile.

Where Vol. 2 comes up short is mostly in the story department. It’s funny a lot of the time and the characters are as charming as they were the first time around but, without getting too “spoilery”, 90 minutes into the movie I realized we had answered the question of “Who is Star Lord’s father” and little else. What’s the point of a Guardians Of The Galaxy movie if there’s nothing to “guard” against? And because of that lack of conflict, the movie seems to drag in the second act as Star Lord gets to know his dad and the action screeches to a halt. On the bright side, Michael Rooker’s Yondu – the blue-skinned dude with the whistling arrow – is given a much deserved expanded role and his character is a surprising highlight in the sequel.

Guardians Of The Galaxy Vol. 2 is a fun time at the movie theater and because of that, general audiences are probably going to love this movie. If you were a fan of the first film, this sequel probably won’t disappoint you. It’s funny and charming, plus it has some emotional edge to it, but most of the movie plugs along without any real conflict and while Kurt Russell is great, as always, the character he plays feels more like DC’s Green Lantern than the quality stuff we’ve come to expect from the Marvel Cinematic Universe. Vol. 2 is plenty enjoyable, but all the comedy really overshadows the other weaknesses in the script and I suspect this will be more apparent on repeat viewings. And really, this movie could have used more Groot!

Replay Value: Just like the first film, this movie will never be better than the first time you watch it.
Sequel Potential: Vol. 3 already announced and release date is hinted at for 2020. Plus, the Guardians will be in the next Avengers movie.
Oscar Potential: Groot and Rocket look amazing, but the rest of the visual effects were kind of a let down. The first film got nominations for Makeup/Hairstyling and Visual Effects, but I’d say Vol. 2 probably won’t get any nominations.

Grade: 6/10 (recommended)

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The Fate Of The Furious (2017)

April 28, 2017

Starring: Vin Diesel, The Rock, Jason Statham, Charlize Theron
Director: F. Gary Gray (Straight Outta Comptom, Law Abiding Citizen)

Bottom Line: Full disclosure: I’ve never made watching the Furious movies a priority (this is the first one I’ve seen in theaters since maybe the second one, possibly the first one) so I never got around to watching the seventh installment before seeing this movie. It only feels moderately necessary – and my skimming of the franchise’s Wikipedia page made me feel primed enough to take on The Fate Of The Furious without feeling like I’d be too lost.

I never would have thought when the original film debuted in 2001 that it would go on to become one of the most successful action franchises of all-time, spawning seven sequels – most of which are pretty fun – and a Universal Studios tram ride. But here we are, in 2017, watching the 8th installment of a series that has continually surprised and has arguably been picking up gradual steam since it rebooted in 2009.

Well, while The Fate Of The Furious is going to disappoint few die hard fans and, at this point, it seems ridiculous to be overly critical of how preposterous all of it is, this is the first clear step backwards since the Tokyo Drift spinoff/sequel. For me, it all starts with Charlize Theron’s Cipher, a techno-terrorist that lures Dom (Diesel) aboard her nefarious mission by showing him something on her phone and pits him against his scattered team of driving/thieving wizards. So, in a sense, we get to see Dom be the villain for the first time in a while, which is kind of cool, but it also creates a weird dynamic where the audience is supposed to buy that his team – wife included – actually question his intentions. Cipher is a computer hacker genius, with access to every camera and vehicle computer in the city, but Dom is somehow able to orchestrate a perfectly timed sidestep in order to meet up with the mother of the Shaw brothers (villains of the last two movies) and set in motion his plan to overcome his current situation. Yes, totally unbelievable and it seems like an easy target for criticism but at some point you have to realize when you are simply watching lazy writing.

Theron isn’t given much to work with here and she totally phones in her performance. She’s completely over-qualified and doesn’t bother to raise the bar. Jason Statham and The Rock, however, are perfectly suited for this kind of movie – they can crack jokes and kick ass with the best of them. Since I skipped the seventh movie, I never saw Statham playing the bad guy in it, but he’s definitely a welcome addition here and clearly one of the film’s highlights.

The Fate Of The Furious wasn’t bad and I found myself entertained watching it, but it did start to feel a bit tired and everything happens a little too perfectly – at one point, my friend turned to me and made a comment about how little concern one of the characters was showing in a specific moment and I replied: “no one is ever concerned about ANYTHING.” And that’s what the Furious franchise has come to. Yes, the spectacle can be fun to watch, but at this point, no one is fooled into thinking anything is ever actually at stake.

Replay Value: Not sure I’ve seen one of these movies more than once.
Sequel Potential: Believe it or not, Vin Diesel is already attached to parts 9 and 10.
Oscar Potential: None.

Grade: 5/10 (watchable)

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Manchester By The Sea (2016)

April 25, 2017

Starring: Casey Affleck, Lucas Hedges, Michelle Williams
Director: Kenneth Lonergan (You Can Count On Me)

Bottom Line: This is going to be a difficult movie to review because my watching experience was abnormal to say the least. We had my parents over for dinner and when offering a lineup of potential movies to watch, my mom insisted we watch Manchester By The Sea because it was a lauded movie that she had already seen and hated. My wife asked if we had to finish the movie about 40 minutes in and it was pretty clear my dad was also not into it, so watching a critically acclaimed, snail-paced character drama in the middle of the day when 75% of the audience was distracted was a rather difficult task.

But I liked Manchester By The Sea and no amount of moaning on the sidelines was going to stop me from finishing it once I started. And to be fair to my mom, she said she liked it this time; and it’s reasonable to conclude that any movie you can watch a second time through you probably didn’t really hate the first time around either.

But I can understand why someone would be turned off by Manchester By The Sea. It’s incredibly bleak. And although there are number of surprisingly funny moments, it’s a sad movie that revolves around the tragic curveballs life can throw you and how, sometimes, those moments can be too overwhelming to move on from. The whole film focuses on Casey Affleck’s Lee Chandler floating through life like a zombie for reasons that unfold as his story is revealed through flashbacks. It’s no surprise that Affleck won an Oscar for his role in this movie as he is truly wonderful, perfectly portraying a grieving man with emotions so boxed in that they are liable to unload with fury at any moment.

The supporting cast of Manchester By The Sea is also wonderful. Michelle Williams and Lucas Hedges both earned Oscar nominations for their supporting roles. While Hedges plays more of a central character and his acting prowess is constantly on display alongside Affleck, Williams got award attention for a much smaller role, but there’s an incredibly powerful scene in the third act where you can see the exact moment she earned the all the accolades.

Manchester By The Sea is a very technically sound film, with solid writing, beautiful cinematography shot near a Massachusetts shoreline, and Grade A acting all around. It’s a story about tragedy and how we grieve – and don’t always heal – and it isn’t necessarily meant to be uplifting, but sometimes that is how life is. If you are able to get past the bleak subject matter and don’t mind a slow-paced film that’s entirely focused on the characters, then there’s a pretty good film here. I wasn’t blown away by Manchester By The Sea and it won’t rank in my top 10 films of 2016, but it’s worth watching, especially for Casey Affleck’s fantastic performance.

Replay Value: Not a movie you’d want to watch multiple times, but I’d revisit it some years down the road.
Sequel Potential: None.
Oscar Potential: Six nominations: Best Picture and Best Director for Kenneth Lonergan; Best Supporting Actor for Lucas Hedges and Michelle Williams; and Oscar wins for Casey Affleck for Best Actor and Kenneth Lonergan for Best Original Screenplay.

Grade: 6/10 (recommended)

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Kong: Skull Island (2017)

April 12, 2017

Starring: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, John C. Reilly
Director: Jordan Vogt-Roberts

Bottom Line: Set in the 1970s, just after the Vietnam War, Kong: Skull Island is the story of a bunch of people you will soon forget about exploring an uncharted island filled with giant and monstrous creatures, including the infamous King Kong. I actually liked how the movie didn’t waste time with a slow reveal of Kong because, let’s be honest, if you are flying above Skull Island you are not going to miss the 100 foot ape roaming around. Almost as soon as the team of “geological researchers” and their military escort reach the shores of Skull Island they are doing battle with the massive gorilla.

Of course, the film also wastes little time with any real character development, which is somewhat of a shame, because there are a number of overqualified actors in this movie. Tom Hiddleston and Brie Larson continue to impress me, but they are given very little to work with and one has to wonder why they even bothered. Oh yeah, because of their million dollar salaries! Most people probably aren’t going to King Kong movies for the interesting characters, but a big part of why I loved Peter Jackson’s underrated 2005 version is because of how well he developed the relationship between Kong and Ann Darrow – the film really made me feel something. There is a brief nod to Kong feeling compassion to Brie Larson’s character, but it’s almost laughable how Kong is able to discern between those that are actually trying to harm him and those that understand that he’s only protecting himself because he feels threatened. And then there’s Samuel L. Jackson’s character, the leader of the military outfit, hellbent on making sure everyone gets killed. Because that’s what real people would want to do when there are lethal, giant monsters around – attack them on foot with handheld firearms. And everyone just follows him around with little resistance.

Not only is the 2005 version of King Kong a much better story, it also looks better. Somehow, with 12 years of technological advances, the CGI in this movie is less impressive than Peter Jackson’s version. The highlight of Skull Island is probably the other creatures on the island. There’s a giant spider that is creepy enough that it actually made me shiver at the thought of it and Kong has a fun battle with a giant octopus.

I don’t think it’s too much of a spoiler to mention that this film takes place in the same cinematic universe as 2014’s Godzilla and there are plans to have this King Kong (which is why he’s 100 feet tall) and the 2014 version of Godzilla – and others – face off in the future. But so far, they are 0-2 with these movies and none of the actors that would likely appear have signed on for future sequels.

Overall, it’s hard to say I was too disappointed with Skull Island because I really wasn’t expecting much, but it does kind of boggle my mind how the film is sitting at 77% on Rotten Tomatoes because there is not much to like. I guess it was entertaining enough, but aside from a couple of fun action sequences, there is very little to remember about Kong: Skull Island.

Replay Value: I will never watch this again.
Sequel Potential: The second entry of a planned MonsterVerse that will feature Godzilla, King Kong, Mothra, Rodan, and others. Godzilla: King of the Monsters has cast and crew attached and is set for release in March 2019 while Godzilla vs. Kong is still in pitch status but has a planned release date of May 2020.
Oscar Potential: I think it will whiff even in the technical categories.

Grade: 4.5/10 (Watchable/Forgettable)

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Beauty and the Beast (2017), Logan (2017), Arrival (2016), Green Room (2016), Sausage Party (2016), Pete’s Dragon (2016)

March 22, 2017

Beauty and the Beast (2017) – Another solid live-action remake of a Disney classic. Beauty and the Beast isn’t as visually amazing as last year’s Jungle Book and it’s more of a shot-for-shot remake than a fresh take on an old favorite, but the story translates well and this film is really a testament to how wonderful the original animated classic is. It’s probably been 25 years since I’ve seen the 1991 version, but the songs felt like I heard them yesterday and they have been stuck in my head the last 24 hours – they are truly timeless compositions. Emma Watson is perfect casting as Belle, Dan Stevens is enjoyable as The Beast, and Ian McKellen, Ewan McGregor, and Emma Thompson do solid voice work, but the rest of the borders on annoying. Particularly, I had mixed feelings about Luke Evans as Gaston. On one hand, it’s an incredibly campy and silly performance; on the other hand, it’s very loyal to the source material. Overall, Beauty and the Beast is another enjoyable hit for Disney, even if some of the acting and musical numbers are a bit too flamboyant.

Replay Value: I would watch it again, but I’d rather watch the original.
Sequel Potential: This movie is breaking box office records, but it’s hard to imagine a continuation of this story that doesn’t come across contrived.
Oscar Potential: Even with the expansion of the Best Picture category, this film won’t get a nod like it’s source material did. However, nominations for Costume Design, Makeup, and Art Direction are highly possible.

Grade: 7/10 (Highly Enjoyable)

Logan (2017) – Logan is going to go down as one of the best superhero films of all-time, but really, limiting it to that distinction is a disservice – it is simply a great film, period. Hugh Jackman’s final outing as Wolverine, finds our hero in the not-so-distant future, as one of the few remaining mutants in the world. His new life consists of driving a limo, drinking copious amounts of alcohol, and harboring a mentally ailing Professor Xavier. Enter Laura: a young mutant girl with all the abilities and fury of a younger Logan. What follows is a road adventure with a Western tinge and a film that has pacing, ridiculous action sequences, and a guardian/mentor relationship all reminiscent of Terminator 2: Judgement Day. Making the film rated R was a stroke of genius and once you get past the initial shock of hearing Wolverine and Professor X swear, it’s actually quite funny. Plus, those claws finally get put to gruesome use. Packed with action, drizzles of humor and sorrow, and phenomenal performances from Jackman, Patrick Steward, and newcomer Dafne Keen, Logan is a comic book film masterpiece. It’s the best movie to come out of the X-Men universe and an absolute must see film.

Replay Value: This could go down as a classic and I’m anxious to see it again.
Sequel Potential: Reportedly Jackman’s last appearance as Wolverine, but that’s always subject to change and if not, the character will surely be rebooted in the future.
Oscar Potential: Like Get Out, Logan is in an interesting spot: it’s a comic book movie released in mid-March – not your typical Oscar fodder. But The Dark Knight paved the way for ten possible nominees, so Logan has an outside shot at Best Picture. I don’t see any acting nominations, but Cinematography nod could also be in the cards.

Grade: 8.5/10 (Must See/Potential Classic)

Arrival (2016) – Arrival was one of last year’s most critically lauded films and I found this first contact movie to be quite enthralling myself. It’s definitely a slow burn and the pacing can be a bit tedious at times, but director Denis Villeneuve (Sicario) gives Arrival all the mystique and intrigue of a Christopher Nolan film. It tackles interesting themes of language, time, and how we might interact with an alien species, while highlighting our own world’s inability to communicate with one another in today’s trigger-happy environment. Amy Adams is stellar as usual and while Jeremy Renner’s character feels more like background music at times, he does provide some comic relief and plays a pivotal role in the film’s emotional core. While some may be dissatisfied with the ultimate payoff, I felt like Arrival tied things together nicely and made for an enjoyable, cerebral experience. Arrival is a fresh take on the first contact movie and a strong sci-fi recommendation, if not quite a must see film.

Replay Value: You might pick up on some extra things a second time around, but this is more of a once in a decade type movie for me.
Sequel Potential: Ever so slight, but highly unlikely.
Oscar Potential: 8 Oscar nominations and a win for Best Sound Editing.

Grade: 7/10 (Highly Enjoyable)

Green Room (2016) – Green Room is a taut, horror/thriller hybrid that cranks up the tension from start to finish. Director Jeremy Saulnier elicits strong performances from Patrick Stewart as a nihilistic neo-Nazi club owner and the late Anton Yelchin as a member of a punk rock band trapped inside a room in the club after unwittingly intruding on a murder cover up. It’s a gruesome, unforgiving film that lovers of scary movies should watch with delight. Enjoyable from it’s opening frame and featuring Yelchin’s best performance of his short life, Green Room is a must see for fans of unconventional thrillers.

Replay Value: Fun enough to watch again some day.
Sequel Potential: Probably not, but if it becomes a cult classic, it might invite some crappy, nontheatrical sequels.
Oscar Potential: Whiff.

Grade: 7.5/10 (Highly Enjoyable/Must See)

Sausage Party (2016) – The writing team responsible for Superbad offers up a hard R-rated animated comedy featuring everyone’s favorite grocery store items. Filled with all the cleverness and humor – if not the charm and superb storytelling – of a classic Pixar movie, Sausage Party is quite entertaining. While there are lots of juvenile jokes and unrelenting amounts of sexual innuendo, Sausage Party features an A-List voice cast and everyone does a laudable job. It’s not quite as emotionally resonant as it wants to be, but Sausage Party is still a pretty fun comedy and recommended while it’s streaming on Netflix. Warning: this is not for kids!

Replay Value: Smart and funny enough to be worthy of multiple viewings.
Sequel Potential: Definitely possible.
Oscar Potential: None.

Grade: 6/10 (Recommended)

Pete’s Dragon (2016) – It’s probably been 25-30 years since I’ve seen the original and I can’t remember it at all, so I can’t comment on how this film compares. Even though this live action remake was well received, I found myself struggling through it. It doesn’t help that the cast is largely made up of actors whose work I rarely enjoy. Bryce Dallas Howard, Wes Bentley, and Karl Urban have never been the reason I’ve watched a movie. Oona Laurence, the little girl, gives the film’s only laudable performance. While I understand the decision to make Elliot, the dragon, look friendly, I felt like the CGI was lackluster and actually terrible at times. I’ve seen action sequences that looked less fake in movies that were made 15 years ago. While Disney films are supposed to require an abundance of imagination and a suspension of reality, it doesn’t hurt to explain some things. Like why is there a dragon in a forest in the Pacific Northwest? How does a dragon remain unseen for decades? If it has wings, wouldn’t it need to use them periodically? What does it eat? Are all dragons children friendly? All in all, Pete’s Dragon is a rare misstep from Disney as it feels like the film, with its uninspired casting and visual effects, was an afterthought for the juggernaut corporation.

Replay Value: None for me.
Sequel Potential: Always possible.
Oscar Potential: None.

Grade: 3/10 (Skip It)

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John Wick: Chapter 2 (2017)

March 2, 2017

Starring: Keanu Reeves, Riccardo Scamarcio, Ian McShane, Common
Director: Chad Stahelski (John Wick)

Bottom Line: The thing about willingly going to see John Wick: Chapter 2 is that it should be impossible to walk out of the theater unsatisfied. If you liked the first movie, I dare you not to like this sequel. It’s more of the same, delivering the nonstop action and awesome choreography we saw in the first film, all while building on the secret universe of the “hit man.”

One day after ripping Keanu Reeves as a dramatic actor, I have to give him credit for being pretty great in action flicks. Obviously, he was perfect for the role of Neo in The Matrix and again he has found a very suitable role in John Wick – not much dialogue and lots of ass-kicking. That’s a good fit for Keanu Reeves. The rest of the acting in this movie is solid at best and tolerable at worst. I’m not familiar with Riccardo Scamarcio at all, but I enjoyed him as the main villain in this movie. Common is one of my favorite rappers of all-time, but I don’t really understand his acting career. I’ve seen him in up to six different movies and he’s never impressed me in the slightest and I doubt he’s much of a box office draw, and yet, he continues to get cast year after year. Well, it finally happened: I liked Common’s performance in John Wick: Chapter 2. I was so shocked by this revelation that I had to check the credits to make sure it was actually him. I just couldn’t believe he could pull off a bad ass so convincingly. He plays an assassin rival/peer of John, hired to kill him, and he’s actually a ruthlessly cold and formidable dude. There’s a gun fight that takes place in a subway between John Wick and Cassian that had me rolling in laughter.

John Wick: Chapter 2 is how sequels are supposed to be done: expanding on the original’s story while delivering all the fun stuff that made the first film so enjoyable. Director Chad Stahelski completely understands his audience and gives them exactly what they want, developing a legitimate action franchise that isn’t going to die any time soon.

Replay Value: I haven’t seen the first one a second time yet, but these movies are fun enough to watched multiple times.
Sequel Potential: Chapter 2 is going to gross more than twice as much as the original – this won’t be the last time we hear from John Wick.
Oscar Potential: Keanu Reeves for Best Actor! Nope. This is a simple action movie that is not shooting for any awards.

Grade: 7/10 (highly enjoyable)

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Get Out (2017)

March 1, 2017

Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, Lakeith Stanfield
Director: Jordan Peele

Bottom Line: Without a doubt, Keegan-Michael Key and Jordan Peele’s sketch comedy show “Key and Peele” has been one of the funniest things I’ve seen on television in recent years. The duo has since moved on with their careers, with Key starring in last year’s very good but largely overlooked film Don’t Think Twice and becoming a very popular voice actor, while Peele wrote last year’s Keanu as the first film for the two comics to star in together, but received rather lukewarm reviews.

And then came the trailer for Get Out, a horror film written and directed by Jordan Peele that looked like a total mind bender, full of racial tension – a complete departure from what the comedian is famous for.

And yes, Get Out was completely crazy, but it’s a game changer. It tells the story of Chris Washington (Kaluuya), a black man going to meet his white girlfriend’s family for the first time, along with all the trepidation and seemingly harmless stereotypes that arise in such a situation, made all the more awkward when Chris sees that the family employs a couple of black folks as servants around the house – and they are about as natural as Keanu Reeves in a dramatic role. Get Out manages to turn a situation that could make any man apprehensive – meeting the girlfriend’s parents – and turns it into a complete horror story, filled with racial overtones that are still way too relevant in today’s world.

Get Out is a borderline masterpiece that is wicked smart, excruciatingly tense and entertaining, all while sprinkling in appropriate amounts of humor and traditional jump scares. It’s a monumental achievement for Jordan Peele in his first directing role and almost certainly makes the multi-talented comic an A-Lister going forward. His script is full of bits of racism and stereotypes that make the film’s wild final act all the more mind-blowing and powerful.

The acting in Get Out is top notch from the entire cast. Kaluuya easily carries the film in the lead role, providing Chris with a perfect mix of cockiness and apprehension, as his vulnerability increases throughout his horrific experience. Bradley Whitford and Catherine Keener are genuinely creepy as the parents, with Keener’s hypnotherapy likely to disturbingly cling to you long after the film is over. And then there’s Lakeith Stanfield and LilRel Howery, who play small but spectacular roles. Stanfield is particularly great, channeling his hilarious character from the hit FX show “Atlanta” in Get Out‘s opening scene before reappearing later in a completely different context. It’s the kind of glorious bit role that has earned a number of actors Best Supporting nominations in the past.

Get Out is the first must see film of 2017 and is better than any movie that I saw in 2016. It will be interesting to see how a horror/thriller hybrid released in late February and written/directed by a black man will fare come next year’s award season. Sadly, this genius film will likely overlooked or forgotten by then, but with a ridiculous 99% positive rating from the critics so far, maybe Jordan Peele’s wonderful film will help break new ground. And if it does get nominated, it shouldn’t be to diversify the awards, it should be because it deserves to be – and Get Out is plenty worthy.

Replay Value: This is the kind of film that requires a second viewing.
Sequel Potential: Even though this is likely to be a big hit and has award potential, a sequel would almost certainly trivialize this film’s message.
Oscar Potential: If Get Out doesn’t get a Best Picture nomination it will be because it got slighted or because 2017 was an amazing year for films. This movie is drawing live at Best Pic, Best Director, and Best Original Screenplay noms, with some serious long shot possibilities for Kaluuya, Keener, and Stanfield in the acting categories. Still, we are in pretty unprecedented territory here.

Grade: 8/10 (must see)

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Hidden Figures (2016)

February 27, 2017

Starring: Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali
Director: Theodore Melfi (St. Vincent)

Bottom Line: Hidden Figures is a strong and moving drama about three incredibly intelligent black women fighting racism and discrimination as they aid NASA during the 1960s when America and the Soviet Union are battling to put the first man in space. Taraji P. Henson puts together a terrific performance and is quickly rising up the ranks of the most underrated actors in Hollywood. Henson has proven she can play a wide variety of roles at a high level and has received very little award attention for her hard work. Octavia Spencer gives an Oscar-nominated performance and she’s great, but Henson’s role has a bit more meat to it. Janelle Monae was also enjoyable in a supporting role and proves that she can act as well as construct top notch musical albums.

Based on a true story, it was great to see these women fight through the discrimination of being both black and female and succeed at the highest level, while breaking the mold for those to come after them. With strong acting plus a lightly humorous and heartwarming script, Hidden Figures gets a strong recommendation from me.

Replay Value: Not a lot, but it’s worth watching again.
Sequel Potential: N/A
Oscar Potential: Nominations for Best Picture, Best Supporting Actress for Octavia Spencer, and Best Adapted Screenplay, but no winners.

Grade: 7.5/10 (highly enjoyable/must see)

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The LEGO Batman Movie (2017)

February 14, 2017

Starring: Will Arnett, Michael Cera, Rosario Dawson, Ralph Fiennes, Zach Galifianakis
Director: Chris McKay

Bottom Line: The LEGO Batman Movie is a fun spin-off from the surprisingly touching and brilliant The LEGO Movie of 2014. This film takes Will Arnett’s Batman and plants him firmly in Gotham City, where the Caped Crusader is a celebrated vigilante that basks in his glory while in the limelight but returns to his lonely cave beneath Wayne manor where his loyal butler Alfred and The BatComputer are his only true friends in the world.

Most of the plot in this movie revolves around Batman’s longstanding rivalry with The Joker and how he downplays that relationship and makes The Joker feel unimportant, so Joker tries to unravel a scheme that will prove he is, in fact, Batman’s greatest rival.

The LEGO Batman Movie is definitely nonstop fun and will have most people laughing throughout its entire running time, but it’s not nearly as emotionally captivating as The LEGO Movie was, and probably not as funny either.

Still, it’s not going to disappoint true BatFans. There are plenty of callbacks to Batman’s previous film appearances and his rogues gallery is as well represented as it can possibly be, with all his most prominent enemies (and some totally obscure ones) getting a moment or two in the spotlight.

Will Arnett and Michael Cera are perfect casting as Batman and Robin, giving hysterical vocal performances. The rest of the cast is pretty good too, with one exception, and it’s a pretty critical one: Zach Galifianakis made for a surprisingly subdued and boring Joker. There were moments where I thought I liked the direction he was taking things, but ultimately, I found myself a little disappointed with how straight forward his portrayal was – this Joker is lacking in energy and flair.

As a huge Batman fan and a big fan of The Lego Movie, I had hefty expectations for this movie and it didn’t really disappoint. It’s definitely 90 minutes of fun, but it’s missing that extra layer of depth that turns a merely good movie into a special one. Still, The LEGO Batman Movie is a worthy spin-off and should make for a fun time for all ages.

Replay Value: Most things Batman are a must own for me.
Sequel Potential: The Lego Movie sequel is scheduled for 2019 and would likely feature Batman again. This movie made over $50 million its first weekend and should have some decent legs, so it wouldn’t surprise me if it gets its own sequel.
Oscar Potential: A Best Animated Feature contender only and it’s far too early to know how competitive that category will be.

Grade: 6.5/10 (recommended/highly enjoyable)

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Don’t Think Twice (2016)

February 6, 2017

Starring: Keegan-Michael Key, Gillian Jacobs, Mike Birbiglia
Director: Mike Birbiglia

Bottom Line: Written, directed, and starring Mike Birbiglia, Don’t Think Twice takes a look at what life is like for a group of mid-level improv comedians in New York City trying to break through to the next level – in this case, a “Saturday Night Live” type show called “Weekend Live” – and what happens when one of them does exactly that.

As a poker player, I could actually relate to a lot of what was happening in this movie. Not everyone is created equally. Some people are just naturally gifted. Others work their butts off to become great at their craft. Some people can’t reach elite status no matter how hard they try and then there’s a type of person that just expects things to go their way despite a total lack of effort.

There’s a lot of this dynamic going on in Don’t Think Twice. Keegan-Michael Key plays Jack Mercer, the most naturally gifted in the improv group, and also the sole member to find himself cast in “Weekend Live.” Naturally, the rest of the group wants to piggyback on his success and Jack quickly discovers how difficult it is for the rookie to start asking for favors. And truly, the only group member he really wants to help out is his girlfriend (Jacobs).

It’s interesting watching this group of people that support one another so enthusiastically at the beginning of the film succumb to jealousy when one of their friends finally makes it. At least that’s the case with Mike Birbiglia’s character Miles, the group leader and Jack Mercer’s first improv teacher. As his former mentor, Miles naturally thinks he’s directly responsible for Jack’s success and can’t really wrap his head around why “Weekend Live” wouldn’t want him too.

Don’t Think Twice was my first time seeing Keegan-Michael Key (of “Key and Peele”) and Gillian Jacobs (of “Community”) act in a feature film and I was mostly pleased with their performances. Everybody gets some funny moments, but Key actually gets to show off some dramatic acting chops, while Jacobs isn’t given much to separate herself from the Britta character we already know and love.

One of the better scenes in the film finds the group watching Jack’s first appearance on “Weekend Live” and lamenting on how bad the show is now and wondering if it was ever good, or it just seemed that way because they were 12… which is pretty much how everyone in their mid-30s feels about “Saturday Night Live” now.

Don’t Think Twice is a satisfying dramedy that will make you laugh and possibly make you cry. I wish there were more improv scenes and that those scenes were more diverse, but alas, they are still pretty good. I appreciated the fact that Don’t Think Twice managed to be funny without relying on much low brow humor. If you’re expecting nonstop laughs, you might be disappointed. Instead, you’re just going to have to settle for a well-rounded film full of heart.

Replay Value: I liked it, but I’m not eager to see it again.
Sequel Potential: I would say zero.
Oscar Potential: No nominations.

Grade: 7/10 (highly enjoyable)